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sitanshi talati-parikh

sitanshi talati-parikh

Category Archives: Interviews: Lifestyle

Home Truths: Sussanne, Farah, Simone

16 Tuesday Dec 2014

Posted by sitanshi talati-parikh in Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Bollywood, Designers, Farah Khan Ali, Interview, Simone Arora, Sussanne Khan, Verve Magazine

Vervemagazine.in December 2014
Photograph by Rohan Shrestha

What do the doyennes of design, Sussanne Khan, Farah Khan Ali and Simone Arora, have in their homes?

GroupShot

On Your Table
Farah “Sunday lunch with my family.”
Simone “Happy times on the table.”
Sussanne “Books and food.”

In Your Closet
Farah
“Lots of shoes and bags.”
Simone “Clothing, evening-wear, business-office wear, shoes, accessories, jewellery.”
Farah “Simone’s closet is as big as a bedroom.”
Sussanne “Diaries.”

In Your Teapot
Farah and Simone
“Green tea.”
Sussanne “Black coffee.”

On Your Breakfast Table
Farah
“Lots of eggs, protein, dry fruits, brown bread. Eat healthy in the morning after a workout.”
Simone “My favourite and largest meal is breakfast, soon after a 7 am swim. Dry fruit, fresh fruit, cereal, eggs, mixed vegetable juice.”
Sussanne “Cheese, honey, yogurt…cold foods.”

In Your Bar
Farah
“Not much of a drinker. So champagne, Moet or Dom Perignon.”
Simone “I don’t drink. Occasionally, wine. I do enjoy keeping a bar with exquisite glasses bought over the years from different parts of the world.”
Sussanne “French red wine.”

In Your Fridge
Farah
“Chocolates, fresh fruit, fresh salad, lot of fish, milk.”
Simone “Cheeses, dessert, sauces and things for the children.”
Sussanne “Chocolates, food, things to snack on – as if it is games night.”

On The Wall
Farah
“A lot of my designs, in my cabin. Post-its. Books, awards, creative things.”
Simone “Family pictures and abstract international artists. Workplace: books on interiors, design, catalogues, references.”
Sussanne “All my art, my photo art, antiques, my cheap-and-cheerful art that I get from flea markets, collectibles, moments.”

In Your Library
Farah
“Books and films. Not fiction; rather philosophy, spirituality, business.”
Simone “International movies. Recordings from The National Geographic and Discovery channels.”
Sussanne “Illustrated books on the history of art and architecture, thoughts. How To Steal Like An Artist, Pantone books, children’s books like those by Julia Donaldson, Roald Dahl, Dr Seuss.”

On Speedial
Farah
“I memorise all the numbers, I prefer dialing them.”
Simone “Kids, family, workplace.”
Sussanne “My son, Hrehaan, my store, store manager and my ‘gladiators’ at the store and my home, nicknamed, ‘Nest’.”

On Your Guestlist (apart from family)
Farah
“My friend Bonnie, Anna or Monica. Whoever I remember that day.”
Simone “Close group of friends.”
Sussanne “Haven’t invited anyone over for a long time, but probably my closest friend Salpi and Vishal.”

In Your Browser History
Farah
“Instagram. I’m very into social media.”
Simone “Nothing at all.”
Sussanne “Look up on world trends, blogs; whatever comes up on Google alert for my name. It’s nice to be aware, and it’s occasionally amusing. I like understanding the perception of people. And recipes.”

In Your Recipe Book
Farah
“Mom’s recipe book. I like experimenting and cooking Continental food.”
Simone “We refer to our mom’s recipe book all the time when we instruct our cooks.”
Sussanne “All kinds of recipe books. My mom’s book of treasures with all different cuisines (soon to be published). The Nutella cookbook.”

Coming soon: The cover story with the Khan siblings talking about love, relationships, career choices, their childhood and family. Watch the behind-the-scenes video of the cover shoot here.

A Pop-Up Star

13 Saturday Dec 2014

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Designers, Interview, Pernia Qureshi, The Rose Code, Verve Magazine

Published Verve Magazine, November 2014
Photograph by Ryan Martis.

She is assertive and doesn’t believe in wasting time. Founder and owner of perniaspopupshop.com, top stylist, Pernia Qureshi, who has made it to the cover of Verve’s best dressed list, sits pretty on The Rose Code list of achievers

Pernia-Qureshi

“My online store is my baby and means a lot to me. I have never worked as hard as I did to put this store together. It was a huge challenge but worth it!”

She majored in criminal justice and English literature, and minored in dance from George Washington University, USA. She had ambitions to become a lawyer while growing up, but Pernia Qureshi ended up being a top stylist and fashion entrepreneur. Working in the fashion industry as a stylist in New York, she found her footing and brought that back to India. “New York was a great learning experience for me. It laid the base on which I built my career.” Upon returning to Delhi though, it wasn’t easy at first. “I found it hard to relate to disorganisation, unpunctuality, and unprofessionalism in some cases.”

Pernia worked independently with top Indian designers on their campaigns, look books and fashion shows. She also began styling for Indian cinema with movies like Aisha (2010) and Thank You (2011). Simultaneously, she poured her energies into building possibly India’s first curated fashion shopping portal, perniaspopupshop.com (PPUS), which has been a resounding success. While she works for her online store 24/7, she remains interested in styling for cinema, awaiting the kind of projects that would spark her interest.

Evidently, having worked on every aspect of her business, she is connected to it in a way that is different from her independent projects. “It is hard to pinpoint one aspect as the most challenging or enjoyable. I am involved in everything and I get a sense of overall satisfaction and pride from my work.” She has a busy day, but manages to involve her love for dancing in it. “These days my schedule is off. Normally I wake up, have breakfast, move on to spending two hours in my Kuchipudi class with Raja and Radha Reddy and Kaushalya Reddy, get home, shower, lunch, head to work at PPUS, and reach back home for an early dinner.”

Whether at work or at an event, she knows how to work the styling charm, while being appropriate to the occasion and respecting the dress code. “My personal style is classic, feminine and sometimes sexy.” Her most treasured piece of jewellery remains her grandmother’s earrings that the latter wore at her wedding.

She’s looking ahead, but her thoughts are simple. “I don’t feel like I have reached any milestone professionally yet. Personally I have managed to have a family and a few friends that love me and dote on me. For me, that’s a milestone enough.” As for the future – “I don’t plan so far ahead. I just hope to be financially independent and creatively satisfied. I am inspired by so many things all the time. All my senses are constantly engaged. And success to me is measured in happiness.”

Sacha’s Way

11 Thursday Dec 2014

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Fashion, Goa, Verve Magazine

Vervemagazine.in December 2014
Photograph by Shovan Gandhi

Sacha-Mendes-Shovan-Gandhi

From being a writer and fashion stylist for fashion publications to curating a resortwear shop in Goa, Sacha Mendes’ journey has been interesting, to say the least. As she puts it, it started with a small shop of cushion covers by her mother, two racks of clothes by her friends (SavioJon and Anuj Sharma), and a few jars of orange-peel cookies made by a friendly neighbour, all in the comfort of her father’s ancestral home. “It was never meant to be a store, just a cabinet of curiosities to amuse us.” Today, Sacha’s Shop in Panjim, Goa is an eclectic collection of style goodies that a local can rely upon and a traveller makes it a point to always check out. You would be likely to find deconstructed trousers made into a dress, leather puppets, paper birds, and cross-stitch towels.

Sacha’s Shop appears as a pop-up in Mumbai at The Vintage Garden (Patkar Bungalow, Turner Road, Bandra), December 12-14 (11am-7pm) with resortwear for men and women, furniture, jewellery, table linen, art and design books, home décor, floral arrangements and a range of collectibles.

A quick chat with Sacha Mendes:

Designers in store (Goa) SavioJon, Tilla, Small Shop, 11:11, Maku, Design By Example, Paromita Banerjee, Aish Naushad Ali, Runaway Bicycle, Aavaran, Hot Pink Cool Blue, Ninoshka, Not Like You, Ritika Sachdeva, Pretty Stoned, Lisa Jackal, Labrador

Greatest inspiration “Mostly it’s people I meet, dear friends, people whose work I look up to, people I learn from, people I fall in love with, and family.”

The idea “As I always say, it wasn’t a conscious decision. It was an experiment of filling a space with pieces that I love.”

The greatest challenge that comes with a start-up “There is no great challenge. There is just a journey, an adventure.”

The best part about being an entrepreneur “You can express yourself through your work.”

Your dream “Is to live on a farm and self educate my children!”

A change post Sacha’s Shop “My relationship with time.”

Harshest criticism “I don’t think I’ve ever received any harsh criticism. My friends and family are great for getting me on track, and keeping it real, but they always do it with love.”

Favourite fashion trend “Oversized clothes.”

A personal style quotient you swear by “To each their own. I don’t believe in dictating style tips to anyone, and I expect the same.”

Looking forward to in 2015… “New adventures.”

Cover Girls: Kalki, Drashta & Natasha for Verve’s Annual Best Dressed Issue

10 Thursday Oct 2013

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Cover Stories, Interviews: Lifestyle, Publication: Verve Magazine

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Best Dressed, Fashion, Style, Verve Magazine

Published: Verve Magazine, October 2013

KALKI Koechlin
For her unconcerned, quirky sense of fashion. And her enviable midriff

Screen Shot 2017-08-20 at 10.48.21 AM

WILL NEVER WEAR An animal print leotard.

STYLE SOULMATE Gwen Stefani.

SENTIMENTAL INHERITANCE My paternal grandmother was very stylish and a model when young. She introduced me to style when I was 14 and had tons of cool stuff from the ’50s. I particularly love this burgundy-coloured velvet suit with big, puffy shoulders.

BANISH FROM BOLLYWOOD Sequins! My eyes are getting blinded!

FAVOURITE FASHION MOMENT Last year, in Cannes, when I wore Sabyasachi with a headpiece. It felt very elegant and original.

INTIMIDATED BY THE FASHION OF…. New York. I went for the first time this summer. Everyone looked stunning…so effortlessly cool, straight out of a magazine cover.

SOMETHING WE DON’T KNOW ABOUT YOU…. I have fat ankles and chubby calves. No matter how much I run, it’s like God put cotton in them. Sabyasachi’s tight churidars simply won’t fit!

PLANNED DRESSER OR NOT? Not! I am a designer’s nightmare – I call them 24 hours before my appearance…asking for something amazing.

QUICK TRICKS TO ALTER THE LOOK OF THE SAME OUTFIT One popping out colour – red or pink shoes; a jacket; a bright bag. And I love hats! While I don’t much care for jewellery, I have one statement piece – a big Mother Mary cross, that’s like a piece of clothing in itself.

INDIVIDUAL DRESSING VERSUS TRENDS You can’t escape trends. It helps you discover new things – but it shouldn’t make you uncomfortable. And yet, your personality comes out in your styling – people judge you by the way you dress.

FAVOURITE DRESSING UP SONG OF THE MOMENT Bad Girls by MIA. It’s such a cool video – really gets me going.

A YOUNG DESIGNER YOU ARE IMPRESSED BY Nimish Shah. At his recent show, I loved his opening outfit – a burgundy velvet dress with white lace.

AN ETERNALLY FAVOURITE DESIGNER/LABEL Sabyasachi…and Urban Outfitters.

SOMETHING THAT DOESN’T WORK FOR YOU, BUT YOU WISH IT DID Sporty clothes, tracksuits…I wish I could be like Eminem!

SARI ESCAPADES I wear a lot more saris than people know – in my theatre circle. I like hand-woven, khadi and natural fabric.

SOMETHING NEW IN YOUR WARDROBE An army jacket with big pockets from Zara.

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DRASHTA Sarvaiya
For her combination of girlish femininity and androgynous toughness of spirit

Screen Shot 2017-08-20 at 10.47.50 AM

WILL NEVER WEAR An anarkali kurta.

STYLE SOULMATE Caroline Issa of Tank magazine and Because London.

SENTIMENTAL INHERITANCE My maternal grandmother’s jadau earrings made by a local jeweller in Palitana.

WOULD LIKE TO CHANGE IN BOLLYWOOD Garishness. I prefer old Hindi cinema – the ’60s films were stylish; today we consider their styles to be retro. In the future, our kids won’t consider the styling of films today retro or iconic. The character and originality is missing.

FAVOURITE FASHION MOMENT When Sarah Jessica Parker happened to see my collection in Paris and liked my clothes. She took my number from my agent – I missed meeting her, but loved that it happened.

SOMETHING WE DON’T KNOW ABOUT YOU…. I am a foolishly romantic person.

DRESSING EXPERIMENTS My dressing style depends upon my hair! With long hair I prefer bifurcated garments and trousers; with a short pixie cut I prefer more feminine silhouettes.

ETERNALLY FAVOURITE LABELS Lanvin, Etro (for their paisleys), Mary Katrantzou (for artistic prints) and Vivienne Westwood (for wedding gowns).

SOMETHING THAT DOESN’T WORK FOR YOU, BUT YOU WISH IT DID Micro-minis!

NEW IN YOUR WARDROBE A Marc Jacobs bag.

COMPLETELY AVOIDABLE Monogrammed bags!

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NATASHA Chib
For being a restaurateur with style

Screen Shot 2017-08-20 at 10.48.33 AM

SIGNATURE STYLE Somewhere between androgynous, street and tailored simplicity.

A FASHION NO-NO Clothes that are too tight.

STYLE SECRET THAT ALWAYS WORKS A scarf, an oversized light sweater and the colour black.

CURRENT WARDROBE FAVOURITE A floor-length grey cotton dress and the rediscovery of a red silk cape from Paris that is eons old.

RECENT SPLURGE A mini cream-coloured Chloe bag from Harrods.

FAVOURITE FASHION ERA I love the 1920s. It was so sophisticated while being completely frivolous at the same time. I’m a huge fan of Josephine Baker and she was an absolute icon and in her prime during that time.

AN OVERDONE TREND Oversized headbands and headpieces. I’m totally done with faux punk rock studs as well.

FASHION SOUL CITIES Paris and New York.

WARDROBE STAPLES A tailored jacket and a favourite white blouse for each day of the week.

WARDROBE TREASURES I only buy things that I absolutely love; it is rare that I pick stuff up out of need or necessity. For instance, I admire the way Balenciaga fits me, the unbelievable craftsmanship of my Abu Jani Sandeep Khosla pieces and the originality of prints of a David Szeto piece.

SENTIMENTAL INHERITANCE A very vintage emerald ring that my grandmother gave me.

Verve’s Best Dressed Issue 2012

15 Monday Oct 2012

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Fashion, Style, vervemagazine

India’s Best Dressed List 2012
Text and Interviews by Sitanshi Talati-Parikh
Published: Volume 20, Issue 10, October, 2012
 

The eagerly awaited annual Hall of Fame for India’s Best Dressed women is finally here! There are some new entries on the list, some have been here before and then there are the Perennials – those who rarely put a sartorial step wrong.

(For the complete list of the best dressed women with interviews including the ones done by Shirin Mehta see Verve’s site.)

PAYAL KHANDWALA
For reinventing herself, but remaining true to form

 

A FASHION NO-NO
Wearing clothes that are two sizes too small, too tight, too short, too uncomfortable and especially with the wrong type of undergarments. Clothes have to work for you, not the other way around. It’s always nice to leave something to the imagination, a little mystery is nice.

 

WARDROBE STAPLES
Well-fitted pair of blue jeans, a long multipurpose scarf I can wear many ways, one comfortable pair of heels and a pair of flats, a Benarasi sari, palazzos, colour blocked separates to mix and match so I can curate my own wardrobe, one wide leather belt, aviators, a string of beads and some vintage silver jewellery.

 

STYLISH ICONS
Audrey Hepburn, Gayatri Devi.

 

YOUR FAVOURITE FASHION ERAS
The grace of the ’20s, the freedom of the ’70s with the androgyny of today.

 

KIND OF ART (ERA/STYLE) THAT YOU CONNECT WITH YOUR FASHION STYLE
Without a doubt abstract expressionism and minimalism. Dramatic but subtle at the same time.

 

AN OVERDONE TREND
Evening gowns, ballroom dressing and the eternal princess/doll hangover.

 

YOUR FASHION SOUL CITY
New York.

 

YOUR FASHION INSPIRATIONS
Orchestrating a palette of colour is central to my designing process, therefore especially art and some architecture. Tribal costumes and jewellery from across the world, origami and the minimalism of Japan, weaves and colours of India, flea markets and street fashion.

 

DO YOU LOVE DESIGNER LABELS OR HATE THEM?
I think it’s pointless being a slave of any brand. You must be your own brand. I don’t see the point in wearing something because someone made it, you must only buy it because you love it and it speaks to you in a special way.

 

===========

 

ANUSHKA MENON
For standing tall in her boots

 

YOUR SIGNATURE STYLE
Skinny jeans (jeggings) a loose tee and a pair of military boots.

 

YOUR CURRENT WARDROBE FAVOURITE
Faded and ripped denim shorts from Zara.

 

THE KIND OF ART/PHOTOGRAPHY YOU WOULD CONNECT WITH YOUR FASHION STYLE
Strong and edgy.

 

BLACK AND WHITE OR COLOUR?
Both, but I prefer black and white.

 

YOUR FAVOURITE FASHION ERAS
Now.

 

DRESSING RULE FOLLOWED BEFORE LEAVING HOME
Try not to look like you are going to the gym!

 

AN OVERDONE TREND
The geek look.

 

YOUR FASHION SOUL CITY
New York.

 

YOU’RE PASSIONATE ABOUT
Living.

 

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IRA DUBEY
For switching over from rock chic glam to just chic

 

YOUR SIGNATURE STYLE
Comfy stylish with a statement accessory, less is more. I play with bright colours or lots of whites, nudes and blacks, depending on the season. I don’t like figure-hugging clothes so I generally wear looser silhouettes teamed with tights or skinny jeans.

 

A FASHION NO-NO
Fur in Mumbai! Sequins from head to toe. Red lips and red nails with a red outfit.

 

A FASHION EXPERIMENT THAT WENT WRONG
Palazzo pants (wide leg trousers) that I tried elongating with sky-high heels – which still looked all wrong because of my petite frame.

 

FITNESS MANTRA
Yoga three to four times a week, a walk twice a week, eight hours of sleep, lots of water and a happy healthy positive state of mind.

 

A FASHION SECRET
A statement accessory on only one body part. Keep the outfit simple and focus on letting that accessory shine, balance the look with killer heels and an embellished clutch and you’re good to go.

 

DRESSING RULE BEFORE LEAVING HOME
Perfume, well-ironed outfit and quick hair fix (which needs nurturing as it is wavy, thick and long).

 

CHANGES IN YOUR DRESSING IN THE LAST YEAR
Simpler, cleaner, lot more nudes, hint of sequins, longer silhouettes, more feminine. Three years ago I was more rock star chic/glam – now that’s changed!

 

PRECIOUS INHERITANCES
A beautiful topaz antique ring my mother bought with her first pay cheque when she was 18 and my nani’s pearl and diamond earrings.

 

FAVOURITE DESIGNERS
Tom Ford, Stella McCartney, Anamika Khanna, Sabyasachi, Ritika Mirchandani, Chloe, Alexander Wang, Shahab Durazi.

 

==========

 

POORNA JAGANNATHAN
For adding a new dimension to the Bollywood look

 

YOUR SIGNATURE STYLE
Things that are really comfortable.

 

A FASHION SECRET – SOMETHING THAT WORKS LIKE A LUCKY CHARM
Double-sided tape: it lets me wear more edgy outfits without the risk of a wardrobe malfunction.

 

A FASHIONABLE MOMENT LAST YEAR
For the Filmfare awards, I wore this regal looking dress from Chanel’s Byzantine collection. The fit was impeccable.

 

YOUR FASHION CRINGE MOMENT
Delhi Belly success party. Thanks for taking me back!

 

RECENT SPLURGE BUY
A beautiful and classy dress from Drashta.

 

RECENT BARGAIN BUY
80 per cent off Charles Kammer shoes in Paris.

 

STYLISH FILMS
Hands down, the movie Grease. (Did I just date myself?)

 

FASHION ICONS/ INSPIRATIONS
I love Keira Knightly’s fashion sense. And I like Skylar Grey’s take on dark.

 

ARE YOU A PLANNED OR SPONTANEOUS DRESSER?
In my head, I’m a planned dresser, but the way it actually works out is last minute and spontaneous.

 

SOMETHING THAT DOES NOT WORK FOR YOU BUT YOU WISH IT DID
Nine inch heels. It’s not that I wish I could wear them, it’s more like when I wear them, I wish I didn’t topple over.

 

YOUR CURRENT WARDROBE FAVOURITE
Combat boots by All Saints.

 

FITNESS MANTRA
Stay calm and drink coconut water.

 

YOU’RE PASSIONATE ABOUT
Good theatre.

 

===========

 

SANA REZWAN
For treasuring chiffons and leather equally

 

YOUR SIGNATURE STYLE
Minimal with a rock chic attitude.

 

A FASHION NO-NO
Tight mini dresses showing excess cleavage.

 

FITNESS MANTRA
Yoga three times a week combined with walking twice a week.

 

A FASHION SECRET
A pair of skinny jeans and ankle boots always work for me – night or day.

 

A FASHIONABLE MOMENT LAST YEAR
A one-shoulder 3.1 Phillip Lim dress that I wore to the launch of Maison.

 

DRESSING RULE BEFORE LEAVING HOME
I never walk out of the house without applying kohl in my eyes.

 

PRECIOUS INHERITANCES
My grandmother’s very trend-forward sari that I cherish to this date, which is an electric blue chiffon with badla embroidery.

 

WARDROBE STAPLES
A pair of heels from Giuseppe Zanotti, jeans from Acne, jersey basics from Alexander Wang and a leather jacket from Rick Owens.

 

FAVOURITE DESIGNERS
Cedric Charlier, Azzedine Alaia, Rodarte, Celine and 3.1 Phillip Lim are a few favourites.

 

AN OVERDONE TREND
Bling is no more in!

 

A RECENT SPLURGE BUY
A pair of black suede ankle booties from Giuseppe Zanotti with a gold metal heel.

 

A RECENT BARGAIN BUY
Leather leggings from Topshop.

 

THINGS YOU ARE PASSIONATE ABOUT
Food, art and my cat, Alex.

 

====================

 

PRATIMA BHATIA
For having a staple for every occasion

 

YOUR SIGNATURE STYLE
I don’t have one – imagine losing the spontaneity because you have to conform to a definition!

 

A FASHION SECRET
Really high heels, Mumtaz Deluxe Kajal, Jo Malone Red Roses, a blow dry and I could rule the world.

 

YOUR CURRENT WARDROBE FAVOURITE
A Maison Martin Margiela dress with a feather vest – it’s fashion foie gras! Also a yummy colour-block cami dress from Marni and an Abu-Sandeep sari with a peek-a-boo blouse that I wore to the launch of the duo’s India Fantastique.

 

YOUR WARDROBE TREASURES
My Jay Ahr gown, a Jason Wu Daphne satchel in ivory and Tabitha Simmons pumps. A rangkaat sari from Benaras from my trousseau, my grandmother-in-law’s heirloom laadli necklace with Basra pearls and Sabbia Rosa lingerie.

 

A RECENT SPLURGE BUY
A diamond ring from the early 1900s from a vintage boutique Au Vase de Delft on Rue Cambon in Paris.

 

A RECENT BARGAIN BUY
A 1960s fawn and coral Emilio Pucci kimono I got in a little boutique in Rome. And a jewel of a petit point little clutch I found in Chor Bazaar for a steal.

 

YOUR FAVOURITE FASHION ERAS
Today. Fashion is most empowered today – there are no rules and you can borrow bits from past eras. Imagine living with rules that dictated a whole era – how depressing!

 

DRESSING RULE FOLLOWED BEFORE LEAVING HOME
Madonna, a glass of Moët and a mambo in my walk-in closet.

 

ARE YOU A PLANNED OR SPONTANEOUS DRESSER?
I decide in the shower and it’s madness thereafter. Unless of course it’s a black tie or a sari moment. Then I plan.

 

================

 

DRASHTA SARVAIYA
For her no-nonsense attitude to style

 

YOUR SIGNATURE STYLE
Cat eye liner.

 

A FASHION NO-NO
Underwear over pants.

 

A FASHION SECRET – SOMETHING THAT WORKS FOR YOU LIKE A LUCKY CHARM
The ’50s silhouette.

 

YOUR CURRENT WARDROBE FAVOURITE
Drashta’s printed pantsuit.

 

A RECENT SPLURGE BUY
An iPad.

 

A RECENT BARGAIN BUY
None!

 

ARE YOU A PLANNED OR SPONTANEOUS DRESSER
Spontaneous!

 

AN OVERDONE TREND
Hipster glasses.

 

YOUR FASHION SOUL CITY
Paris.

 

WARDROBE STAPLES
Trousers.

 

WARDROBE TREASURES
Currency quilted winter coats from my AW2010 line.

 

==============

 

SUHANI PITTIE
For always thinking vintage and always looking inspired

 

YOUR SIGNATURE STYLE
Relaxed. Generally layered with a waistcoat or jacket or something that completely offsets it. Lots of whites and blacks. Clean and crisp. But almost always embracing India in some way.

 

A FASHION NO-NO
Skimpy sari blouses with all that bling!

 

A FASHION SECRET
An A&T waistcoat with my jewellery, laced with oodles of sense of humour!

 

YOUR CURRENT WARDROBE FAVOURITE
Two. An amazing embroidered waistcoat from Anamika Khanna that I wear with everything! And a really old charms necklace that my grandmother gave me. The charms include a lantern, horse carriage, cannon, a mini clock and a mini pen. The craftsmanship gives me goosebumps!

 

RECENT SPLURGE BUYS
I’m not a shopper. But I did buy nearly eleven kilos of Rajasthani jewellery from Jodhpur last year. Also recently, eleven books on architecture, two on bar designing, three on light design and one on the future of car design.

 

RECENT BARGAIN BUY
An enamelled eagle ring from a mela in Hyderabad. It’s brilliant!

 

FAVOURITE FASHION ERAS
Men’s fashion from the Regency era. So dapper with their cravats and tailcoats.

 

DRESSING RULE FOLLOWED BEFORE LEAVING HOME
To always check myself sideways. I once walked around an entire sangeet with my skirt not properly worn. Someone asked me if I was wearing a tutu!

 

CRAZY ABOUT
Vintage things. I can spend all my money on old fabrics and old garments and history books. And also on Anamika’s clothes, but those I never have to pay for! (That’s what sisters are for.) I’m also passionate about my DSLR and Casio watches.

 

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KULSUM SHADAB
For making pretty chic

 

YOUR SIGNATURE STYLE
I tend to focus on simple elegant silhouettes and add a statement piece of jewellery that always stands out.

 

A FASHION NO-NO
Never wear an outfit that’s smaller than your size and never go for a look that isn’t your age.

 

FITNESS MANTRA
Fitness is a way of life for me: I combine my 10k run with weight training and yoga.

 

A FASHION SECRET
My smile! It instantly brightens my face.

 

DRESSING RULE FOLLOWED BEFORE LEAVING HOME
I always make sure I’m wearing comfortable shoes.

 

PRECIOUS INHERITANCES
My mom’s emerald necklace, which was passed on to her by my grandmother – it’s priceless. Also, a beautiful traditional waistband from my mother-in-law, which was passed on to her by her mother-in-law…it’s timeless.

 

WARDROBE STAPLES
A great fitting white shirt – it’s classic chic and goes with everything, a pair of well-fitted pants, a timeless black dress, a pair of sexy yet comfortable shoes… and bold accessories. They always give your outfit ammunition – for me it is a bracelet and a standout handbag.

 

TOP DESIGNERS
International designers are Alexander McQueen, Emilio Pucci, Issa and Dries Van Noten. Among the Indian designers, my favourite is Gaurav Gupta.

 

AN OVERDONE TREND
Juicy Couture.

 

A RECENT SPLURGE BUY
A stunning pair of rose-cut earrings.

 

A RECENT BARGAIN BUY
A Chloe party bag from Maison.

 

THINGS YOU ARE PASSIONATE ABOUT
My family, exploring new cultures, food and fashion.

 

=============

 

NIAMAT BAKSHI
For knowing the difference between day and night dressing

 

YOUR SIGNATURE STYLE
I have two very distinct signature styles. Day: quite conservative; slim-fit jeans, flats and well-fitted button down shirts. Night: I love to ‘dress up’; body-conscious dresses that have sharp silhouettes and very high heels to finish off each look.

 

A FASHION NO-NO
Wearing stockings with sandals.

 

FASHION FAUX PAS
Trainers with cocktail dresses à la Kristen Stewart.

 

YOUR CURRENT WARDROBE FAVOURITE
A Haider Ackerman gold peplum jacket.

 

A DRESSING RULE FOLLOWED BEFORE YOU LEAVE HOME
As Coco Chanel said, ‘Less is always more’. Before I leave the house, I look in the mirror and remove one accessory to ensure that I am not over doing it.

 

AN OVER-DONE TREND
Sequinned shorts, sheer baby-doll tops, metallic mini skirts and beaded jeans are all done to death.

 

ANY CHANGE IN YOUR DRESSING IN THE LAST YEAR
I don’t think there has been any significant change. But, I have started to wear more prints than I used to. I usually wore monochrome or two-tone dresses but I have started experimenting with designers such as Peter Pilotto and Michael Van Der Ham who are known for their digital/floral prints.

 

A FASHIONABLE MOMENT LAST YEAR
It was at a fashion show organised by the Taj for the revival of the Benarasi sari. I very rarely wear saris and here I wore a very traditional, hand-woven ethnic one!

 

YOUR WARDROBE STAPLES
Balenciaga leather jackets in black and brown, Lanvin ballerina flats (cannot have enough!), J Brand jeans in all colours, Yves Saint Laurent blazer.

 

A WARDROBE TREASURE
My wedding lehenga designed by Rohit Bal which was a deep red and covered in salma and crystal work.

 

=============

 

KALKI KOECHLIN
For establishing different looks for her on-screen and off-screen persona

 

YOUR SIGNATURE STYLE
High-waist loose trousers, T-shirt, waistcoat, brockets and hat (basically Annie Hall).

 

A FASHION EXPERIMENT THAT WENT WRONG
As a teenager, I wore really tight leopard print pants…I thought they were really cool. Disaster!

 

A FASHION SECRET – SOMETHING THAT WORKS FOR YOU LIKE A LUCKY CHARM
A little black dress I found in a flea market in London for two pounds. I’ve worn it on red carpets and to formal dinners and it always works.

 

A FASHIONABLE MOMENT LAST YEAR
I had to make an effort for Cannes this year…I wore Dior and Sabyasachi: kind of represented my French and I
ndian background.

 

A RECENT SPLURGE BUY
A dress by Thierry Colson.

 

A RECENT BARGAIN BUY
H&M shoes on sale for 15 pounds.

 

FAVOURITE FASHION ERAS
Twenties’ flapper girls and the ’60s.

 

STYLISH FILMS
A Single Man, Pretty Woman, À bout de souffle, Sin City.

 

ARE YOU A PLANNED OR A SPONTANEOUS DRESSER?
Mostly spontaneous, except when I’m very nervous about an occasion. Then I plan from head to foot.

 

DRESSING RULE FOLLOWED BEFORE LEAVING HOME
Must carry lip balm, flat shoes and sunglasses.

 

FAVOURITE DESIGNERS
Sabyasachi, Nimish Shah, Preeti S Kapoor, Marc Jacobs, Thierry Colson.

 

Trendsetting Strokes

26 Wednesday May 2010

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Art and Design, Designers, Fashion, Gaurav Gupta, Interview, Satya Paul, Style, vervemagazine, Wendell Rodricks

Published: Verve Magazine, Nerve, May 2010

The connection between fashion and art is an old one; international trends can be written in no less than multiple coffee-table books. Verve speaks to four top Indian fashion designers who show obvious influences of art in their designs

WENDELL RODRICKS

Wendell

 

On the connect “There has always been a connection between art and fashion. Chanel loved Cubism. Schiaparelli loved Surrealism. And Yves Saint Laurent paid tribute to many artists: Braque, Picasso, Mondrian. Art and fashion are both provocative and often intrigue the general public.”

In my designs “I have used art as an influence not just from the Western world but also from an Asian perspective. I have collaborated with Goan artist Theodore Mesquitta; and did an installation for Habitat Centre (Alka Pande). In fact, I know one day I will paint.”

Fashion as a work of art “Fashion is at the lowest rung of the pure art ladder. Our clothes certainly are a form of art. To elevate them to pure art though is being overly ambitious. Fashion can become art in the hands of Alexander McQueen or Hussain Chalayan who look at clothing and shows as art to begin with. But in most cases, fashion is not art.”

SATYA PAUL

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On the connect “Anything in life has two possibilities – either you can use it to raise or lower the bar. What matters is how one takes it. Fashion is itself an art form, a medium to be used to create amazing art. Broadly seen, it is a confluence of colour, texture and form (by way of weaving, embroidery, printing, and cutting/pattern making). The importance of the two is akin to asking ‘…the importance of oxygen to life?’”

In my designs “Art is anything done with heart! In that vein we have made numerous collections over the years where art of different artists, and movements of art is the basis. Recently, Chola period brozes and Pop art have been referenced in our collections. In addition, we have explored and developed a new visual language.

GAURAV GUPTA

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On the connect “Sure there is: fashion is simply commercial art.”

In my designs “I’ve always been inspired by art. Think architecture by Gaudi, movements like Surrealism, Dadaism, the art nouveau and art deco realisations. While it is nothing obvious and direct, there is a subconscious connect. Recently, I collaborated with artist Akshay Singh Rathore, taking off from his light-box installations. We’ve independently been working towards similar things – a more landscape-like feeling. Tartan checks can be rigid; with this concept, they became more fluid, draping well.”

Fashion as a work of art “Some of them are! Designs are sculpted around a body. Sculptures have a mood; and in fabric draping, construction and moulding, it is like working with clay. One of my saris for instance was displayed at the Portugal Biennale (an international art exhibition) late last year.”

POONAM BHAGAT

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On the connect “Art and fashion are both intertwined. Both are highly creative fields. One uses a canvas with brush strokes or mixed media while the other uses fabrics and threads on cloth. The difference is, the latter is turned into a structured garment while the former is flat with sometimes a 3D effect. Artists have even started incorporating materials available to fashion designers in their art.”

In my designs “My spring summer 2010 collection was inspired by the works of world renowned Spanish artist Joan Miró, who was known for his very vibrant, childlike paintings and use of primary colours. I borrowed elements from his art and gave them my own TAIKA twist using vibrant appliqués and embroidery on ivory linens and cotton-silks. The recently concluded WIFW AW 10 showcased my collection inspired by abstract expressionism, a modern American art movement which took wing post World War II in the late ’40s and flourished till the early 1960s, putting New York on the global art map for the very first time.”

Designer in an art show “For me art speaks; so does fashion. The first ever group art show I participated in was organised by Polka Art Gallery at The Visual Arts Centre, New Delhi in August 2007. It was a showing of extremely eminent artists. I was the only fashion designer and the only one to create tapestries on fabric with embroideries.”

Designs as works of art “My designs are just fashion statements, to be worn and enjoyed. Not to be treasured!”

A Bag For All Times

26 Wednesday Aug 2009

Posted by sitanshi talati-parikh in Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Designers, Fashion, India, Interview, Lifestyle, luxurybrands, Style, vervemagazine

Published: Verve Magazine, Features, August 2009

A designer bag is your chance to stalk up the social ladder. Sitanshi Talati-Parikh chats with brand consultant-turned-writer Radha Chadha about the cult of luxury

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It isn’t easy to talk about luxury without moralising, particularly when you see girls ready to clobber each other with their Manolos to get their hands on 16 bags at 50 per cent off at the Gucci sale. I began wondering about the craze for luxury brands. Ironically, the answer arrived in the form of Radha Chadha and Paul Husband’s book The Cult of the Luxury Brand: Inside Asia’s love affair with luxury. Excerpts from an interview with Radha Chadha:

How did the love affair begin?
I went to Hong Kong in 1997, well before luxury brands had set up shop in India, not knowing much about them. I was fresh off the plane from India and couldn’t understand how my secretary could afford a Louis Vuitton bag! Working in an advertising agency, I invariably ended up dealing with luxury brand projects, and over a point of time I simply fell in love!

You talk about the ‘democratisation of luxury’ – isn’t that an oxymoron?
Yes it is! Most people associate the word ‘luxury’ with ‘exclusive’. The way luxury brands are marketed today, there is nothing exclusive about it. Take Japan – 94 per cent of women in their 20s have a Louis Vuitton piece. There is nothing exclusive about it in that society. When the access to luxury is there for whoever can bite into it (and luxury also becomes bite-sized), then there is democratisation of luxury.

Where is India going with luxury brands?
India has a lot of luxury, but we do not have too many global luxury brands. We have tons of potential luxury brands waiting to happen. Brands exist more in the head and heart – its all about how you present it to the world. India has yet to do that. Also, in India it is only the top end of the market that is shopping. As the Indian economy grows, the use of these products will also spread, as it has in every country.

Sex and the City, the movie, introduces the concept of renting a bag….
It’s true! What is also common is buying a bag and selling it at the same store. When the desire becomes greater than the pocket – that’s when this happens.

So, the bag is the new solitaire?
The solitaire says ‘I have got money baby’, but a luxury brand says ‘I’ve got money and a certain taste’ – it has a certain ability to express personality.

Why do people buy luxury brands?
Many people buy luxury brands for the sheer pleasure, for the quality…but in Asia I have found that people buy to prove their status in society. Almost all of Asia was poor at one point of time and had ways of marking status. Luxury brands have been around for ages, but the way they were marketed was very different. With the recognition that accompanies the right branding, luxury brands become status markers.

How did the book happen?
I have this burning desire to write. I study people, and luxury brands seemed like an interesting lens with which to study countries. It is such a rich subject – you can understand so much about human beings and behaviour and a country by the kind of things people over there do and what drives them.

Does art fall into the concept of luxury?
I have defined luxury brands arbitrarily in the book to limit the scope, as stuff on the body. So many other things like cars, condominiums, private planes, yachts and even art can fall into it. A lot of these artists are like brands (try telling them that, they will be offended!) but MF Husain is also a brand!

Bali’s Haute Brigade

20 Wednesday May 2009

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Bali, Bali art, Bali boutiques, Bali expats, Bali fashion, Designers, Fashion, Interview, Interviews: Travel, Kuta, Lifestyle, Seminyak, Ubud, Verve Magazine

Published: Verve Magazine, Life & Travel, April 2009
Photographs provided by the designers and artists themselves. All photographs are individual copyrights. This blog post does not assume any credit for the photographs.

While others sun, tan and shade themselves, Sitanshi Talati-Parikh gets up close and personal with some chic entrepreneurs and designers in Bali who are creating a global brand for themselves.These expatriates come together to create a fabulous confluence of talent and tradition, where international eyes meet local hands

A hop, skip and splash away in a tropical microcosm of creativity, one can discover a haven for those searching for a different and better life. “A mysterious and magic place charged with tremendous powers of creation and destruction, growth and decay, harmony and struggle,” says expat Susi Johnston. It was as far back as 1920s when artists and photographers moved to Bali inspired by the unselfconscious Balinese women working the fields, and the spectacular tropical environment. It wasn’t long before Bali became the centre for creative ambition. Now, with over 15,000 expats, the island is exploding with a fountain of talent that is simply waiting to be discovered.

While international brands lie low, it is the local labels that take centre stage, run by enterprising young people who are clever enough to spot the advantages of using the unentrepreneurial local talents in a more marketable and international manner. As I speak to many of the people who have moved there, I find that they have discovered a style niche – inspired by the lush tropical environment, amiable people, easy-going life and lower standard of living, they have found opportunities on this island, or more correctly, created opportunities on this island that they may not possibly have had in their home town. The “powerful” and “energetic” island is more than home for most of these “accidental entrepreneurs”. It is also a livelihood and a lifestyle.

And the locals play an important part – every expat I met unreservedly states that the Balinese people are superlatively talented. Excellent at working with their hands, quick at moving forward with traditional techniques and themes that have been handed down through the ages, they however, lack the ability to create an international-style brand and the vision and entrepreneurial ability to take it forward. Is it a happy marriage then? Possibly, though the challenges are many. Work stops unaccountably and a sense of professionalism is lacking. Language is another huge barrier. But these are small bumps on the style highway, as many of these expats are finding fruition by getting noticed by top design houses, designing for billionaires’ homes across the world, and finding a space in a global arena. While some bring global experience to the table, all have a keen sense of creativity and style.

Through many days of exploration, in between afternoons on the beach and motorbike rides through Jalan Oberoi, Seminyak’s shopping area filled with chic boutiques; tête-à-têtes over ‘Bali coffee’ at the boutique Elysian Hotel, wanderings through Bali’s art town, Ubud, cocktails at Amandari, watching ceramic production in action and bargaining with the jewellery vendors, I came across a phenomenon of style, determination and hard work.

Janet De Neefe
Writer, entrepreneur and restaurateur
Restaurants: Casa Luna and Indus, Ubud 

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It is not difficult to imagine Janet De Neefe as the face behind the annual international Ubud Writers & Readers Festival that is now in its sixth year, and has been instrumental in putting Ubud, Bali and Indonesia back on the travel map after the Bali bombings of 2002. “The aim of the festival is to give a voice to the many talented Indonesian writers by placing them on a world stage, alongside the likes of Vikram Seth and Michael Ondaatje.” Vikram Seth proclaims that his presence at the festival was merely because of Janet’s untiring persistence. Janet’s love affair with Bali began on her first holiday with her family, and on her second visit she met her husband Ketut. She hasn’t looked back since, having spent 20 years in Bali.

Roots Melbourne, Australia

Bali Years 20 years in Ubud

Creative Space Running two restaurants and authoring a book of her personal journey in Bali, partially inspired by the local cuisine and traditions called Fragrant Rice (2003)

Personal Style An eclectic take on the local designs: “Exotic Asian and Paris chic, with a bit of Spanish thrown in. I adore Indian textiles but also love Baroque style and Chinese and Moroccan embroidery.”

Challenges “Amidst all the challenges or misunderstandings, Bali has provided me with an exceptional life that most others would only dream of. I live in a generous, supportive community who value the importance of family, neighbours and community. So many places in the West have lost this. I never feel lonely or isolated and my children are treated with respect.”

“My love affair with Bali began in 1974, with my first visit on a family holiday when I was 15. I remember landing on the shores of a garden paradise, surrounded by waves and nodding palm trees and when the plane doors were flung open, the warm heavy air, mingled with fragrant frangipani and the sweet smell of clove cigarettes, embraced me like a long lost friend.”
– Janet De Neefe, Fragrant Rice

 

Made de Coney
Designer and boutique owner
Label: Lily Jean, Seminyak, Kerobokan (Kuta), Nusa Dua

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Made de Coney received an inheritance of US$ 5000 from her father (who lived in Bali) at the age of 23, and without thinking twice, used it to rent a shop and create the Lily Jean label. Influenced by international fashion and inspired by the local Bali artisans, Made uses imported materials and local hand work, especially in embroidery and batik. “The same artistry they use for their religious ceremonies are applied in every artistic endeavour.”

Roots Born in Bali, she spent a decade of her childhood in Brazil and studied fashion in America.

Milestones The label is available in 12 countries, and with five shops in Indonesia, Made can look back and say, “Now I realise it is quite an achievement!”

Customers “They are women in their teens who love the playfulness of the designs; they are women in their 20s who are seeking personal statements to make with their style; women in their 30s who embrace the need for changing expressions of self; and women of every age who appreciate the delight of dressing for their own pleasure in beautiful garments that enhance their sense of self.”

Challenges “I’ve learnt to be very tolerant of religious holidays (Christian, Muslim and Hindu) and to cultivate my patience.” 

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The Lily Jean Label has soft, stylish street wear and highly glamorous cocktail dresses with important materials and local handwork.

Kirsty Ludbrook
Artist and designer
www.kirstyludbrook.com; www.ludbrookandludbrook.com

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Kirsty Ludbrook moved to Bali to set up a home for her three boys – so that they could experience a world beyond the suburbs of Sydney. “The idea was thrilling and liberating. Especially our boys living this crazy exotic life in their early years, one that is so different to that which they would have had in Australia!” While she discovered that her flair for sketches and painting could be translated into sophisticated murals using local batik techniques on cloth, her husband Richard, a fashion photographer, is building a studio in Bali to accompany the very large one he already has in Sydney. “When I first arrived here I immediately started experimenting in my art with the new materials and techniques available – particularly with the rich, lustrous colours that could be achieved in silk batik work. As a result, my art evolved, and I have been working on portraits which are created by appliquing and embroidering together individual pieces of silks.”?Her paintings get an audience at her solo show in the Biasa Artspace this year.

Roots Sydney, Australia.

Milestones Kirsty has successfully sold a design agency in Australia,?and has been named by The Bulletin Magazine as one of Australia’s top 10 creative talents in their annual Smart 100 listing.

Challenges “The hardest thing is the fact that the Balinese are such nice people. They don’t want to disappoint you or say no. More often than not, being told ‘not possible’ at the beginning would have proven a little more practical.”

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Kirsty Ludbrook’s silk ‘Art Kimonos’ are inspired from costtume design in Japanese Manga and action films, while the hooded kimonos are from Ninja characters – which sounds deceptive, as the finished product is feminine, soft and very sensual.

Michela and Marcello Massoni
Creative head and business manager
Space and Brand: Gaya Fusion, Ubud

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The first private contemporary art space in Bali was started by Stefano Grandi, an Italian entrepreneur, in collaboration with an Indonesian, Nyoman Birit. A young Italian couple, Marcello and Michela and their friend Giorgia Oronte were brought into the picture in 2003 with their background in sculpture and ceramics “to start a dream:? be able to be creative without limits and competitive and productive in an amazing environment.” With over hundred employees, Marcello manages Gaya Fusion, while Michela plays the creative head of the ceramics and sculpting division. Nostalgic about home at a time when Michela’s parents are visiting to meet the babies, they say that they “decided to move for the high quality of life, to give to our kids a natural living environment, to be creative without limits, to be inspired by the tropics and to be productive with capacities difficult to create in Italy.”

Roots Piacenza, a small town 50 km south of Milan, Italy.

Creative Space Gaya Fusion includes an art space showcasing local and international artists, a ceramic studio that exports and supplies to the top brands, including Bvlgari, Aman Resorts and Giorgio Armani Casa; private villas and spas with Italian-Balinese fusion architecture, and a restaurant offering Italian and Indonesian cuisine.

Challenges Dealing with Hindu culture, lot of ceremonies, beliefs, difficulty in finding a high level of professionalism.

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Using local products, Gaya Ceramics is always looking for new inspirations, as different clients mean different moods and designs. They make sculptures and unique pieces, while also producing nearly 5000 ceramic pieces a month.

Paola Zancanaro
Boutique owner and designer
Label: sKs or SimpleKonsepStore, Seminyak

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Paola Zancanaro hails from a long experiential fashion lineage. She studied fashion at the London College of Fashion, and began her career at Vivienne Westwood, in marketing, sales and events, then as celebrities’ dresser at Giorgio Armani, and finally at events at Prada, Milan. Ready for a change of culture, Paola considered Tokyo, but didn’t want a repeat of break-neck city life and chose Bali as her destination of choice. “I have been living on this amazing island for almost a year and half, its culture and nature are the reasons why I moved here.” She continued to work as a consultant for Prada events in Asia, while also becoming a part of a trendy boutique, sKs.

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Creative Space sKs – SimpleKonsepStore is the result of three Italian partners. All the sKs clothes are produced using antique Balinese techniques such as batik and silk screens. Paolo looks after the women’s clothes, while Mario Gierotto designs the menswear. Other accessories are from local designers and they also have exclusivity on Vivienne Westwood Jewellery.

Roots Born in Genoa and brought up in Alassio, Italy.

Challenges “Every day is a big challenge! You think you can do everything but when you get down to it, you realise is not that easy. Things do not get done quickly and as expected, but you can achieve amazing results by working with people who never stop smiling.”

sKs is a concept store where you can not just buy fashion but also find the latest gadget from Japan and real Italian design furniture such as the most iconic pieces from Kartell, Artemide, Flos and Alessi (brands that made history in the design furniture world).

Simonetta Quarti and Marco Lastrucci
Designers and boutique owners
Label: Quarzia, Seminyak

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Marco Lastrucci and Simonetta Quarti started Quarzia, a chic boutique on Jalan Oberoi, (the main shopping district in Seminyak) in 2005, when nothing besides rice fields existed in the area. Hailing from a fashion background – Simonetta was a textile designer and Marco a financial manager, they were looking for a change, and Bali seemed like the perfect option. “The freedom to express ourselves and the skill of the Balinese people” were great motivators to the couple who have spent eight years on the island. Inspired by the old traditional design, they give the fabrics an European sense of colour and design. They are not driven by “creative stress” – having to come out with new collections frequently. Instead, they believe in “eternal” clothes that are one-of-a-kind with great designs, cuts and style.

Roots Florence and Venice, Italy.

Challenges It is difficult for the local artists to be precise and manage to get the exact shade of colour required in creating clothes of international standards. “We are completely different from the local people, but we respect each other and we can learn from each other.”

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Quarzia makes one-of-a-kind clothes, where design, cut and style are very important, and where a pair of pants can be eternal.

 

Stephanie Robert
Designer, painter and entrepreneur
Maisonbulle Ltd. (www.mbulle.com)

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Stephanie has shifted through various creative interests and has entertained a relationship with the island since the early 90s when she came on holiday. “I loved the atmosphere and the endless possibility of creation and realisation the worker and their skills offered to one’s imaginative mind.” She returned to Indonesia to design, produce and buy a business she became a part of, for which she developed an interiors department, with the creation of a home textile and accessories line produced partially in Bali and India. Furniture took over textiles, and a sampling factory in Bali found Stephanie “enjoying experimenting, sharing knowledge and skill with a team of woodworkers, crafting beautiful pieces for single exclusive clients, architects, commercial decorators as well as large retail businesses.”

Roots France.

Design Style “Though my style would certainly reflect a great liking an admiration for the Scandinavian purist simplicity, mixed with an absolute love and fascination for the rough beauty of Asian road and country side furnishing and its practical laid-back attitude.”

Creative Space She is spearheading an online business, Maisonbulle Ltd. (www.mbulle.com) which an online catalogue of beautiful private holiday homes in Bali (and in the future globally), for which the main selective criteria is character. Specifically she recommends homes of designers, collectors, artists, philanthropists and travellers, whose homes reflect a unique character, to a similarly discerning set of travellers looking for a getaway. An editorial edition, Pulse, is soon to be launched. She also designs furniture and is a reclusive painter.

Stephanie puts her 15 years of experience travelling the world, particularly in Asia, into being a reference for “what is hot, stylish and worthy of attention”, with her online business Maisonbulle Ltd.

Susi Johnston
Art historian, designer, specialist sourcer
Store: Mican Tidur, Ubud 

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Determined to move to New Zealand, art historian Susi Johnston took a 14-year detour via Bali. She chose to ‘retire’ after a decade in marketing and public relations, “burnt out on fast-paced urban life,” and decided to spend six months in Bali doing “absolutely nothing”. She rented a little bamboo bungalow in the middle of the rice fields, near Ubud, and hasn’t looked back since. Susi speaks fluent Indonesian (actually stood in as a translator for an Indian yogi speaking to the local audience) and still hasn’t made that original relocation trip to New Zealand. “I ended up doing what I am currently doing in much the same way as so many other ‘accidental entrepreneurs’ who have found themselves in Bali,” says the ‘sleeping tiger of Bali’, who is a goldmine of information on the area and a regular blogger. She lives and works in collaboration with Bruno Piazza, her life partner, an Italian tribal art dealer and designer. They travel around Indonesia and mainland Southeast Asia together, “treasure hunting, feeding each other energy, inspiration, ideas and tastes”.

Roots Grew up in Seattle, lived in Scotland, London, New York and Hanoi.

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Creative Space Running multiple galleries with her business partners, Susi Johnston is in a space she terms “specialist sourcing”, selling genuine antiques and ancient artefacts, while also creating furniture, accessories, textiles and architectural elements in a collaborative effort.

Challenges “The education and training in Indonesia is far short of what it should be. It can be extremely difficult to put together skilled staff to fulfil the many roles that make up a modern business team.”

Susi Johnston’s companies make unique basketry objects that are more sculpture than mere baskets; work with local carvers and furniture makers who create works in stone, wood and mixed materials with traditional tools and methods. They are a part of the synergy between local and world culture.

No Time To Preen

26 Monday Dec 2005

Posted by sitanshi talati-parikh in Fashion & Style, Interviews (All), Interviews: Lifestyle, Publication: Verve Magazine

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Designers, Falguni And Shane Peacock, Fashion, Interview, Lifestyle, Style, vervemagazine

Published: Verve Magazine, Features, November-December 2005
Photograph: Akash Mehta

When Falguni married Shane Peacock, together they conjured up a funky treasure trove for the tired fashion victim. Sitanshi Talati-Parikh chats with the creative couple behind the flamboyant designer label, who work 24/7 and suffer from Sunday morning blues!

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The Juhu studio is warm and snug, tastefully embellished with touches that are all Peacock. Settling myself in on an olive love seat with golf motifs, I look expectantly at Shane Peacock seated across me on an animal print settee; he appears as reticent as he is known to be. The other half of the duo – Falguni Peacock – chirpy, bubbly and innately hospitable, bustles about attending to things while talking at breakneck speed.

They could be just any newly married couple, bickering good-naturedly over minor differences, suddenly quiet, otherwise talking over each other, and completely head-over-heels in love with their three-year-old budding fashionista daughter. The conversation flows over a coffee and then some tea.

Theirs is a fairy-tale story of how a self-reliant, salwar kameez-clad Gujarati girl came upon a pig-headed, Christian boy. Ironically, Shane, who was a member of a rock band, had always fantasised about meeting a ‘propah’ traditional girl who didn’t smoke, drink, or ‘go wild’, and there she was. But Falguni wasn’t easy to woo. With a delighted chuckle, she recalls how Shane once asked her out for coffee and told her to come wearing jeans. When the usually conservative dresser obliged, he knew he had won her over.

But conventional as she seemed, Falguni was a career woman through and through. Even before she got married, she had started her own clothing label and Shane, meanwhile had also studied fashion design. It was not long after their marriage that they pooled their talents into the flamboyant and unique Peacock brand.

Their success didn’t come easy. Shane started college, studying engineering at the behest of his father, and Falguni who came from a background of chartered accountants and lawyers, was greeted with equal scepticism when she chose to become a fashion designer. In the end she settled for a Commercial Art degree to make her family happy but working in an ad agency only made her unhappy. Reminiscing, she says, “I told my father, in no uncertain terms, ‘One day I will be a really famous fashion designer’. Unfortunately, my father isn’t here to celebrate my success, but he would have been so proud.”

Shane faced similar rebuke at home when his preference for spending his days sketching outside class was discovered. Horrified at the thought of his son becoming a “ladies tailor” or even worse, being gay, his father took him to task. The rebel in Shane sprung forth and he walked out on his family. Falguni interrupts, “It is really his live wire nature that got him to where he is right now.”

Chasing those dreams, however, was easier said than done. He was forced to give up his indulgence – the rock band, he over-stayed his welcome at a friend’s house by a year and jobs were not easy to come by. It was a while before he thought about doing something on his own.

Shane drags us back to the present. “Let’s not talk about the past; it is only the present and the future which matter.” With the slightest touch of regret but no resentment, he states thoughtfully, “If I had my family’s support, I could have reached here faster. It is frustrating sometimes to think about the extra years I had to put in to get here.” Immediately distracted by his daughter, noticeably the apple of his eye, he reflects on his relationship with her, “She calls me Shane – and I like that. Calling me ‘dad’ would put that extra distance between us, which I don’t want.”

Their marriage was the turning point of their personal and professional lives. When Falguni married Shane, together they conjured up a new vision for discerning dressers. Today 90 per cent of their business comes from the international market, and the Peacocks are a global brand. Ironically, it is the Indian market that they seem unsure of. Appreciative of the attention they have been receiving nationally, they still believe that India as an organised market has a long way to go. Shane explains that selling an outwardly simple outfit for the equivalent of Rs 40,000 abroad would be no problem at all; it would be valued for the style, the cut and the label. In India on the other hand, he states matter-of-factly, “People want their money’s worth. A woman seeing a price tag of Rs 40,000 would ask for the piece to be heavily embellished so it looks like that much karigari has gone into it. Simplicity, which is really more my style, won’t work as easily here as it does abroad, at the prices we retail at.”

Falguni joins in by stating that they know their target audience, “We don’t want anyone and everyone to wear our garments. We are very selective about our clients and our stores. It is the cream of the crowd that we cater to and as long as they appreciate our work, we’re happy.” She says they would rather sell limited garments than drive volumes. It quickly becomes clear that Falguni is the hard-nosed businessperson of the two. Shane seems to read my thoughts, adding, “Falguni is the more pragmatic of the two of us, she sees the commercial viability and makes those key business decisions.” But they both agree that, “At the end of the day, you have to ensure that your work is commercial. You can’t make a masterpiece that is admired but never worn. We want it to sell, but in our style and on our terms.”

Shane strongly believes that talent alone was not the only deciding factor in their successes. Instead it is largely through smart marketing that they have been able to make themselves be seen and noticed. To promote their line, the Peacocks tried working with models, but were not happy with the results. They explain, “Models didn’t provide a value addition. You can’t identify with them, they don’t seem entirely real. Spectacular garments can’t be remembered for just that. So we decided to take on celebrities to build relevance.” That eventually turned out to be quite a marketing coup. They look at each other and smile. Falguni continues, “We set about getting the people we wanted. It was not easy convincing Manish Malhotra, himself a very successful designer, but we managed the impossible. Rita Dhody’s campaign was the most talked about. She is a flamboyant and sensual woman and epitomises glamour. Each person is very different and since we can’t change the character and personality of each, we just take their image and make it even more attractive than it is. Nawaz Singhania’s campaign was tuned into her personality; the lines were slightly more conservative, the look more accessible”.

Shane reiterates, “We want even the most ordinary looking woman to look and feel beautiful in our clothes.” As Falguni strides up to one of the racks and pulls out an outfit to demonstrate, Shane emphasises that they are known for their plunging necklines. That doesn’t mean they don’t make cover-up pieces like kaftans and such, but a large number of their designs carry their signature low necklines. “We cater largely to the kind of woman who is a lot more conscious today about fitness, health and fashion. Everyone wants to look younger and more attractive, and that’s where our necklines come in,” he laughs.

So what is their signature style? Clothes for the woman who is not afraid of going over the top. Shane deliberates and then says, “It’s all still quite new and experimental for us. Four or five years down the line we’ll know exactly what a Peacock piece is meant to look like.” They know what’s important to them, though: “Women feel slimmer and sexier in our clothes. We want a woman to show her feminine side, look like a woman, go slimmer on the waistline, let the garment flow, not be rigid. It will always be funky and distinctive.”

They’ve been echoing each other’s voices for so long, that I begin to wonder about any creative differences that they may have. “Oh, we fight a lot – on everything, but mostly work. We’re both very independent and that is what brings us at loggerheads. But our differences just seem to resolve themselves.” As Shane calls time out to talk to a friend about a trip to the Maldives, I wonder if taking time off from work helps stimulate creativity. “There are barely any holidays for us! We’re always stressed, and all of our travel is work-related. At the most we take one day off to shop (Falguni by the way, loves to shop!). We just don’t know what to do at a beach – it’s almost too stress-free. A city is the perfect place for us, like New York.” Pausing for breath, Falguni suddenly bursts into laughter and resumes, “Even on our honeymoon, in Kerala, we got bored and cut the holiday short!” Shane who finds most pleasure in spending time with his daughter Nian, adds, “Sundays bore us.”

 

What about giving each other space, I ask. Falguni is quick to assert, “Even if we are together 24/7, we are still doing separate things.” Shane joins in, “We handle separate factories.” As a woman though, it is difficult to manage home and work. Falguni agrees, “The baby came sooner than we had planned.” She makes a quiet mention of the fact that she owes much of her professional success to her mother, who takes care of her daughter, enabling her to keep these busy hours. They are both the creative heads of their line. “We don’t want to be dependent on assistants,” he says, and adds, “The day I feel money is more important than autonomy, I will outsource our designs to employees. That day isn’t here yet!”

 

So what’s in store for the future, besides more stores and new tales of success? Falguni clinches it by stating their vision, “If a person walks into a crowded room, and if what she is wearing is recognised as a Peacock from miles away, we would have achieved our dream.” Shane adds, “Some people have called us the Cavalli of the East – but we don’t want to work under anyone’s creative shadow. Our fashion house, as it will be in the future, will be sustainable enough for our daughter to carry on the tradition. We want our line to find mention among the top ten global design brands, we want to be a household name…and to live up to our unique surname, to be a Peacock is to find success in it.”

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