Published: Verve Magazine, Nerve, March 2010
Verve takes a look at artist Yamini Nayar’s photographs, created for the lens and destroyed right after
BROOKLYN-BASED AND DETROIT-BORN YAMINI NAYAR HAS found recognition in the top international magazines. Drawing inspiration from industrial and post-industrial towns, she combines sculpture, installation and photography in her images of imagined spaces. Using raw, industrial and discarded materials, her table-top to room-size installations are built for the lens: the scenes are photographed with a large-format camera and are destroyed once the photograph is generated.
The 34-year-old artist says, “The digital studies are created parallel to the constructed images, in which they conceive of spatial systems within images of found settings, including sites of decaying industrial towns and manufacturing sites.” She goes on to elaborate, “Space is where design and everyday life intersect. It is layered; public and private grow and overlap in the traces and material culture of inhabitants – habits, histories, desires, neuroses. In addition, I’m drawn to a kind of makeshift construction and architectonics, a repurposing of materials, mirroring what you see in developing global cities where there is an inventiveness with materials, realising what is possible with what is at hand.”