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sitanshi talati-parikh

sitanshi talati-parikh

Category Archives: Brand Watch

Why You Should Buy A Vintage IWC Watch, And Which One

20 Wednesday Jul 2016

Posted by sitanshi talati-parikh in Brand Watch, Interviews (All), Interviews: Luxury Brands, Publication: Verve Magazine

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Interview, Interviews: Luxury Brands, IWC, SIHH, Verve Magazine, Vintage, Watches

Published, Vervemagazine.in July 8, 2016

Find out which vintage IWC watch their own historian recommends, along with how to check authenticity and make the right purchase

The first Special Pilot’s Watch left the IWC (International Watch Company) factory in 1936. It was the start of a unique relationship between IWC Schaffhausen and flying.

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Today, 80 years later, Verve speaks to the IWC historian, David Seyffer, about the tradition of the Pilot’s Watch and about becoming an IWC collector.

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What does 2016 mean for IWC?
“Eighty years (of the pilot’s watches) – and we have now really made happen with a huge collection! With a different variation, really to please all needs or tastes of watch lovers but still hold onto the main characters of the heritage of the Pilot’s Watch.”

IWC at one point targeted the next male generation with the ‘father and son pilot’s watches’ – is this still a trend and has your target customer changed now?
“I do not think so. Interestingly, I have met people, where the man had the Big Pilot’s watch and the woman was wearing the son’s edition. Today, the youth knows and appreciates the nostalgia associated with the mechanical watch. With all that is going on in the world, people want something out of history.”

If there is one vintage IWC watch that any collector must own which would it be?
“I would really recommend (since it’s on my wrist) the Mark XI. The reason: it’s affordable as a collector’s piece, and we have huge quantity of spare parts if it comes for servicing. The movement, Caliber 89, is like an all-running system. It’s impressive how precise these movements are which are made in the 1940s, 1950s, and it has really a cool-looking feeling. So if somebody wants to start with collecting wristwatches, this is really a nice timepiece to start with.”

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Approximately, how much would it cost?
“This depends on editions. You could potentially find a vintage watch within 4-5 thousand dollars, but then if it is a rare piece and is in good condition, possibly used by BOAC, then it could go to 15 thousand dollars or so. Also, authenticity…are they all the parts 100% authentic or not?”

If somebody in India wanted to buy one of the vintage watches, where would they go? How could they check the authenticity?
“Now we are living in the world of international business, so you can really get it everywhere. For example, if you find a nice offer on the Internet. But, then it’s the point of the authenticity. IWC offers a ‘certificate of authenticity’: you send your watch to IWC; there is a team of 3-4 watchmakers (and myself) and if everything looks fine, then you get an official certificate. Also works for people who want to sell antique or heritage timepieces. Interesting for all are the auctions (worldwide from the famous auction houses) where you may find a MARK XI Pilot’s watch!”

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If you could get a carte blanche to create a pilot’s watch based on the history that you are so well versed with, would it be very different from what the brand currently has?
“Not really…because this year’s collection is so strongly related to the original design. Probably a small change I would recommend, as a conservative person, would be to skip the date, to make the watch look like a Mark XI.”

What is the one takeaway that you would leave a new watch buyer with when it comes to IWC’s rich history and tradition?
“IWC is located on the eastern part of Switzerland, therefore the design is different. It’s this east German-Swiss approach with the watch – you can find it in the way the bracelets are made. And in the way the cases were made. And of course, traditionally, what IWC was always about: precision and quality.”

Who is the IWC watch collector?
“The typical watch collector is in a certain way, a freak, highly knowledgeable, with a diverse background. We have very, very rich people and we have students who save every cent they earn just to get a historical timepiece, or a new timepiece. Bottom line is, the interest to learn as much as possible about the watch. Recently, in the collector’s meet, there were people from the USA, Europe. And, there was Captain Vishal who flies Air-India A-330 for several years and guess what he wears—An IWC Pilot’s watch! So you see, meeting people from all over the world, and really with that passion, feels great!”

Discovering 25 cities with Louis Vuitton’s City Guide App

15 Tuesday Dec 2015

Posted by sitanshi talati-parikh in Brand Watch, Publication: Verve Magazine

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City Guide Books, Interviews: Luxury Brands, Interviews: Travel, Louis Vuitton, Reviews, Verve Magazine

Published Vervemagazine.in, December 2015

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‘I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.’ Robert Louis Stevenson

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We’re sold on the beautiful travel images that capture monochrome moments from the cities. The ones above are from their newest cities, Chicago, Prague and Rome. Having been familiar with the beautifully produced hard-bound editions of Louis Vuitton’s colour-coded city guides (available in box sets as well), the just-launched app is a traveller’s dream come true. Lavish photos (taken by imaginative photography creative Tendance Floue) with an expansive lens-eye, an attractive and friendly user interface, the little category bubbles open up a world of painstakingly-collected information. But they already had us at the opening quotes, which change each time you access the app, like the one by Stevenson.

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Cafes that tell tales of day dreaming artists and authors, museums that paint a picture of a different time, streets that exude a ‘haute’ aura that has nothing to do with the ability to buy or sell. It speaks of a state of mind – the desire to experience the city through the eyes of the like-minded locals.

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A team of 50 experts, including those from the cities being covered, contribute content making it a comprehensive guide to 25 of the world’s most popular cities: fashion capitals, centres for contemporary art, beach towns and business hubs. The best part? The Parisian guide is available for free until the end of this month (the others cost €9.99 or US$9.99 in the App Store).

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Here’s what you can do:

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1. LOCATION, LOCATION It’s a snap to find any address on these easy-to-read maps, available offline. In location-aware mode, you can see all nearby businesses and points of interest, zoom in and refine your results by topic. With the search engine, you can switch to list mode.

2. LITTLE BLACK BOOK Create and view your address book of favourites at any time.

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3. POSTCARD FROM PARIS Send your loved ones a photo from your camera or from the guide’s gallery of pictures. Personalise your postcard and share your travel memories by using the filter in the colour of each city.

What’s more…

1. CONTRIBUTORS OF CALIBRE Each Louis Vuitton City Guide includes the participation of special guest contributors, who speak from personal experience of their home cities. Local celebrities or insiders open their personal address books and divulge several secret preferred haunts. For example, Prince M.L. Poomchai Chumbala suggests some of the elegant highlights to discover in Bangkok, while the film director Ivan Zachariáš takes the reader for a stroll around his favourite parts of central Prague.

2. LANGUAGE OF WORTH The guide is available in English and French options.

3. COLLABORATORS UNITE Louis Vuitton reaches out to journalists, writers, major figures in the world of arts and letters, many of whom divide their time between two cities; several authors often collaborate on one city, and each guide reflects the personalities of its contributors.

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4. (UN)COVERED If you plan to go the whole hog they also have a small leather case with the Monogram pattern, for the iPad and iPhone (6 and 6 Plus); they come in four extra colors inspired by the city collection: blue for Paris, yellow for Rome, red for Beijing and pink for Tokyo.

Did you know?

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Louis Vuitton has operated its own publishing house for some fifteen years and today offers a catalogue of more than 80 titles, including two collections focused on travel: its City Guides and Travel Books. Gaston-Louis Vuitton (1883–1970), grandson of the founder, was an avid collector and keen bibliophile, whose tastes ranged from literature to art books; he founded three bibliophile societies. When the Louis Vuitton store on the Champs-Elysées opened its doors in 1914, it already featured a comfortable reading and letter-writing room for its customers. This tradition continues into the present day at the Louis Vuitton bookstores.

Bulgari’s Guido and Fabrizio reveal what women want…

30 Wednesday Sep 2015

Posted by sitanshi talati-parikh in Brand Watch, Interviews (All), Interviews: Luxury Brands, Publication: Verve Magazine

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Baselworld, Bulgari, Interview, Interviews: Luxury Brands, Watches

Published in Verve Magazine, September 2015

Bold design, irony, marriage of materials and at the core of it all – authenticity, they let us in on the fashion house’s creative sensibility…

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The Bulgari booth at Baselworld 2015 is abuzz with conversations, flutes of champagne or cups with a caffeine kick (depending on your preference) and alive with sparkle and pizzazz. The spectacular neckpiece from the Diva collection that heralds you into the boudoir of timelessness, the displays of watches that suggest tradition, technique, innovation and that sure-fire bold touch which is all-Italian. The Octo Finissimo with its size-zero figure to the Serpenti with emerald eyes that conceals secrets and time. It is no wonder Elizabeth Taylor’s personal collection of Bulgari jewels rocked the screen in Cleopatra.

The Bulgari hospitality is warm, and the passion of the makers floods through with the top notes of its designs. As Fabrizio Buonamassa, the director of the Bulgari Watches Design Center (who moved from Fiat to Bulgari following his love for watches) says, “Bulgari’s style is pure in terms of shape and sometimes opulent in terms of attention to detail.”

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We notice how the brand — despite possibly attempting to rein in their desire to build a wide range of pieces — has enough to keep the most diverse customer satisfied. Is it any wonder that they have the pride of place at Baselworld — the moment you enter the fair, on your left is the sprawling ‘serpentine’ domain. How do they maintain a sense of aesthetic continuance through varied complications and bejewelled designs? Buonamassa explains: “Bulgari is a world of science and inspirations. You need to find the right language for the right products or you create strange objects! Women are all about emotions, and it is about finding the right shape and proportion while being consistent with the Bulgari values and rules. With men you are looking for performance, movement, engine, finishing…technical elements.”

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While we may not be certain we want to be pigeonholed into these categories — the Saphir Ultranero and the Diagono Magnesium, for instance, could be as fascinating to us as the Diva collection or the Giardini Nocturna — it would make sense for the design team to focus on what is a large target audience for their aesthetic sensibility and happy marriage of materials. Buonamassa agrees — pointing to a strong trend of ladies’ complication watches being merged with jewellery. “Bulgari is a part of the Italian design culture. Italian design is unique because it is not merely ‘form follow function’. It is about the ‘ironic’ — it plays with colours and materials in a different way, to give the object a second life. Only Bulgari is able to use tubogas for a watch and make this iconic in the luxury market. We play with constrains and often these very constrains become the turning point of the project and drive the aesthetics.”

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And how do you keep it relevant? “I manage the science of the company and imagine how I can transform this science into contemporary products and not just copy-paste from the archives. My approach is contemporary with respect for the roots and the evolution of the science.”

The gregarious Guido Terreni, managing director of Bulgari Horlogerie, drives home the fact that Bulgari, as a brand, is built on authenticity. “It’s about being true to your brand and your client. You can’t play around with your personality, and that’s exactly the same with a brand. The watches that are successful are successful for decades. Too much new stuff leads to confusion.”

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Terreni warms to the topic as he talks passionately about the various hallmarks of the Bulgari timepieces. “Serpenti is in the DNA of the brand since the past 70 years. Bulgari Bulgari, Diva, Lvcea are….” Iconic? “Iconic is an abused word. Everything is iconic in every brand. But Serpenti is truly iconic. When you are authentic and true to yourself, you are credible. And to be credible in luxury, you have to be credible in terms of style and craftsmanship, both. That’s why we have developed the know-how internally to address the competence of watchmaking. After all, the ladies are buying competence!”

With a diverse portfolio of luxury products, Bulgari has still made a mark with their watches, particularly their latest edition — the distinctive ‘vault-like’ smart watch (which moves beyond calculating calories burnt to storing valuable data). Terreni believes it’s a part of the core differentiation of the brand. “We have the technique at the service of the aesthetic and vice-versa. We are the only brand that thinks about technique and design simultaneously, we are not selling to watch freaks; we are selling to people who know what luxury is about and can recognise the authenticity of an idea and the craftsmanship in the watch. I love the idea generation, to see the design grow, to see the prototype become true…but this would be nothing if I don’t receive an emotion in return. Your emotion is the true reward of all this work. I don’t look for  ‘I like’, or ‘I don’t like’; I look for ‘Wow’.”

Legacy Talk: Raymond Weil’s CEO Speaks About Their Musical History

03 Friday Apr 2015

Posted by sitanshi talati-parikh in Brand Watch, Interviews (All), Interviews: Luxury Brands, Publication: Verve Magazine

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Baselworld, Elie Bernheim, Interview, Interviews: Luxury Brands, Raymond Weil, Verve Magazine, Watches

Published in Vervemagazine.in April 3, 2015

The grandson of the late Raymond Weil, Elie Bernheim joined the company in 2004 and was appointed CEO last year. Here’s a Q&A with the dashing CEO:

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1. The brand has a strong link with the world of music. How did this come to be?
It is true, you are absolutely right, my late grandfather Mr. Raymond Weil had a infinite passion for music, so has my father Olivier Bernheim. My mother is a professional pianist, and I have been playing the cello and piano from a very early age. You can then easily understand how much music is part of our family story, and naturally splits into our Brand DNA. Since three years now, we have developed the concept of music marketing; hence trying every year to establish qualitative musical collaborations such as the examples you have seen this year in our novelties: the Nabucco timepiece inspired by Gibson, Sinatra’s 100 years of birth commemorative maestro timepiece or even our brand new complication: the Nabucco Cello tourbillon.

2. What is your opinion on ‘smart’ watches?
It is always wise to remain informed, updated and sensitive to new developments and innovations – but the tendency this year for Raymond Weil is to point on our watchmaking know-how and propose creative yet audacious timepieces that bear musical features.

3. Which current trend in horology is the most path-breaking?
It is very hard to say, but the sure thing is, if a watch brand remains faithful to its values and provides clients with an authentic, honest and a reasonably-priced collection it will definitely lead to a deserved recognition. I try every day to improve on the quality of the timepieces we propose to our clients. Taking care of the materials, the durability and the long-term readability of the timepiece: these are for me challenging objectives you can always improve on.

4. What do you think of the relevance of chronographs and tourbillon movements today for women?
My challenge this year in Basel was to present a watch that represents the best our actual inspiration — that is why I have encouraged my R&D staff to work on a very special project, this has lead to a superbly designed tourbillon timepiece, totally in line with our musical DNA. It is a gents’ watch, and I am convinced ladies will be sensitive to the approach as well. 45 to 50% of our collection is dedicated to women — we may integrate complications for ladies if it is of relevance for our product strategy — as we have already done in the past.

 

Premier Speak: Walter Von Kanel on Longines relationship with India

03 Friday Apr 2015

Posted by sitanshi talati-parikh in Brand Watch, Interviews (All), Interviews: Luxury Brands, Publication: Verve Magazine

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Baselworld, Interview, Interviews: Luxury Brands, Longines, Verve Magazine, Walter Von Kanel, Watches

Published, Vervemagazine.in, April 3, 2015

President of Longines, Walter von Kanel talks about India, politics, bureaucracy and Aishwarya Rai Bachchan

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Walter von Kanel is lively, intelligent and with a sharp sense of humour. You can have an easy chat with him which will lead to wide-ranging topics and he will know how to drive facts home. Over his many decades with Longines, the president is sure of himself and the brand and where it is headed — number one in their price segment from it’s current number 4 standing. He shares his views on India below.

  • I’ve brought the brand (Longines) to Number 4 in this industry. When you are over a billion swiss francs, it means a lot of money…it’s too many rupees that I cannot count. We brought this company to a very strong position. 
  • We have now very impressive distribution, according to the group governance where we respect all national laws. Your decision not to allow us to open our own shops for instance!
  • The Indian market is local and abroad the…? (NRIs) Yes, the NRIs! In India they drive you nuts with acronyms. It’s an Indian speciality.
  • With Brazil, India is the highest tax country…we respect it, because unlike Brazil, we don’t have to pay baksheesh. 
  • Rolex is good at number 1. (Taps a bunch of numbers.) It’s impossible to be number 1. I want to be number 1 in my price segment — in this industry it’s difficult to do everything. The name of the game is the price segment. Many people are coming to this segment now, we welcome them.
  • In this industry you have macro tendency. There is an evolution and no revolution. If you are a genius and have the most brilliant idea, you can’t be a genius alone — this industry is not Apple or Google or Samsung. The cycle is longer. 
  • I’m happy companies like Apple and Samsung are coming into the business. It is additional business for me. They change every few months. They will help us put a watch on the wrist of the younger generation. And one day this generation will be tired of these electronic watches and they will be looking at an analog watch. It is a status symbol. 
  • You (India) are one of the most populated companies in the world. Being the number 1 or 2 populated country in the world, you are number 24 of the 30 countries buying from us. The barriers are so big, that they buy from abroad rather than locally. For instance, we can open a shop anywhere in China, we are not blocked by Titan!
  • The Indian consumer in our price segment knows what they want. I’ve been many times to your country — to the pink building in Delhi! The quota, the licence, the duty… And I learnt one thing that the man with the power is not the minister, it is the guy who works for him, the secretary sitting outside. 
  • Indians have discount in their blood. You always bargain. Don’t you? (No.) Then you must be buying from a shop that doesn’t offer a discount!
  • India is a mature market. It was open to branded consumer goods much before China. Indians travel a lot abroad to cities where they may purchase these goods. But India itself as a market is not 100% open. 
  • In India there is no smuggling, we tell them not to buy from bandits. In luxury shops, if one retailer is selling fakes, he is killed — by the brand and the industry. Your fellow citizens smell the fakes. 
  • Your PM (Narendra Modi) says he is fighting against corruption. Give him a chance! In China they are very strict.
  • It’s nice to have Aishwarya Rai Bachchan (brand ambassador of Longines for 15 years), it’s nice to see her daughter, it’s nice to see her mom…. I was the guy who picked her, when I got a call saying it was time to negotiate with her. 

Baselworld 2015 and 2016: Watch it here!

01 Wednesday Apr 2015

Posted by sitanshi talati-parikh in Brand Watch, Interviews (All), Interviews: Luxury Brands, Publication: Verve Magazine

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Baselworld, Interviews: Luxury Brands, Verve Magazine, Watches

Baselworld 2015

Click here for Baselworld 2015… the low-down on all the hautest happenings at Baselworld 2015, straight from the heart of the watch expo

Baselworld 2015

Check out the 7 watch trends from Baselworld this year here. Timepieces in varying shades of blue, ‘smart watch’ prototypes and innovative complications… find out the biggest watch trends of 2015

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Raymond Weil’s CEO talks shop here. A quick Q&A with the CEO of Raymond Weil, Elie Bernheim, who speaks about their musical history

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Longines president Walter Von Kanel on India and watches here. President of Longines, Walter von Kanel talking about India, politics, bureaucracy and Aishwarya Rai Bachchan

Fabrizio Buonamassa
Fabrizio Buonamassa
Guido Terreni
Guido Terreni

Talking shop with Bulgari’s Fabrizio Buonamassa (director of the Bulgari Watches Design Center) and Guido Terreni (managing director of Bulgari Horlogerie).

TOP 6 TRENDS FROM BASELWORLD 2016

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In the 99th year of Baselworld, we came away less impressed than last year, despite there being 4,400 media reps and 145,000 participants. It seems that the brands are making 2016 the year of caution, with limited releases, innovations and flamboyance. Maybe this will help them “wait and watch” (no pun intended) until the luxury world is ready to explore new frontiers. Louis Vuitton was missing from the fair, and while the usual suspects held fort and rallied, they lacked the lustre of the previous years. Nevertheless we bring to you some of the key trends and big launches of the year. Read more here.

Interviews:

Founder’s Tales: Fawaz Gruosi for De Grisogono

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Founder’s Tales: Aletta Stas-Bax for Fredrique Constant

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A Fine Thread

12 Thursday Feb 2015

Posted by sitanshi talati-parikh in Art, Literature & Culture, Brand Watch, Publication: Verve Magazine

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Art and Design, Louis Vuitton

Published: Vervemagazine.in March 2015

Espace Louis Vuitton Art

How does a weave become a work of art? Not just in beautiful clothes, or in theGodharis of Maharashtra exhibition, but in the way Espaces Louis Vuitton celebrates new and contemporary artworks using the medium of thread. The Espaces of Munich, Paris and Tokyo have been powered with an exhibition that lasts the first half of 2015.

Curated by Michiko Kono, eight international artists take part in the group show, Le fil rouge which translated means ‘the red thread’. Each Espace showcases the work of four of the eight artists, referencing the theme and the other artists’ works in a three-way dialogue. The series opens with embroidery-based works in Munich to site-specific installations in Paris and ends with a summary of the theme in Tokyo.

Referencing the images from the gallery above, Japanese artist, Chiharu Shiota’s work is an installation of lightbulbs suspended in space and entangled by thread, switching on and off; exploring her interest in life and death. Italian artist, Tatiana Trouvé’s installation of 250 suspended plumb lines hovering barely above ground level struggling (and failing to) achieve a vertical stance – suggest the indecipherability between the absurd and the rational, the possible and the unimaginable. In his new film, the Belgian Hans Op de Beeck, employs puppets exploring contemporary society’s complexities and universal questions of the meaning of life and mortality. His film, The Thread, will be shown at all three Espaces. The other artists are Ghada Amer, Tracey Emin, Isa Melsheimer, Michael Raedecker and Fred Sandback.

The release note remarks: ‘Unlike pencil and paint, thread is not linked to an intrinsic finality, and its materiality encourages infinite artistic expressions and explorations. Replacing the brush, thread in contemporary art is embroidered or glued onto the image carrier, and combined with paint. Canvas fragments are sewn together using thread. By stretching lengths of yarn at different scales and in varied configurations, it is employed to form sculptures, trace lines in space, reproduce architectural principles or seemingly suspend the laws of physics.’

It is essential to go back to thread as an art form, rather than a means to a fashionable end. To question the abstract nature of the medium and it’s physical place in society is to give it perspective and suggest relevance. It is also an emphatic way to revisualise the medium and possibly be inspired to suggest creative renditions that may change the face of fabric tomorrow.

Le fil rouge is showing at Espace Louis Vuitton München (Maximilianstraße 2a, 80539) until April 11, 2015; at Espace Louis Vuitton Paris (60, rue de Bassano, 75008) until May 3, 2015; and will be on at Espace Louis Vuitton Tokyo (Louis Vuitton Omotesando Bldg. 7F 5-7-5 Jingumae, Shibuya-ku) from April 8 to May 31, 2015.

Fast and Glorious: Jaguar XJ

18 Thursday Dec 2014

Posted by sitanshi talati-parikh in Brand Watch, Publication: Verve Magazine

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Interviews: Luxury Brands, Verve Magazine

Published Verve Magazine, November 2014

An agile machine that can pamper you on the go. What’s not to love?

When the team at work started talking about ‘automated luxury’ my thoughts ran to my fond-of-the-good-life cousin’s latest acquisition. The Jaguar XJ, a sleek beauty of a car, purrs and moves like a panther. It is a vehicle for people who don’t pride themselves on the obvious, and one that is as much the driver’s as it is the passenger’s. Much like the first class cabin of a premium airline, it is docked with all the features you can think of and some you may not. Four-zone climate control, individual television screens, soundproof against the noise on the street, desks to work on in the back, in-seat massage facility for each passenger, footrest and winged headrests, front and back touchscreen control panel to ‘manage’ your experience…the list of goodies that would be on any ambitious car owner’s bucket list is easily check-boxed here, as I discover while taking a casual turn in it.

While we speak of the current state of the country vis-a-vis places abroad, we turn on the television, which with some telepathic sense (really, this car can read minds and tune into conversations now!) starts up a live feed of Narendra Modi’s charismatic speech at Madison Square Garden. As the driver and the front-seat passenger share a TV panel (first world pain!) the car is tuned in to protect the security of its passengers while providing them a world of comfort. So, while the car is idle – read waiting at every corner either for a signal or for traffic – the driver is able to watch the screen. The moment the car springs to life to move on, the screen will perpetuate an automatic invisible block for the driver, so that he may be able to listen, but he cannot watch any more, while the passenger, of course may continue boob-tubing.

And while I watch, I set up the touchscreen to experience my individual massage that can be controlled for intensity and heat. And, of course, because we are in a tropical climate, it can also shoot out cool air to soothe our fragile skin that must have been tempered like fine chocolate in the few seconds that it took to hop from one perfectly air-conditioned space to another. Not to mention the cooling or warming of the steering wheel to adjust to the outside temperature.

In ensuring that all senses are engaged, it is wise to point out that this fabulous machine has all of 20 speakers and 1000+ watts of surround sound blasting power. You read that right, no less than 20 speakers. My dear cousin has found 16 and is still trying to track the remaining four down. The mysterious pursuits the car provides as a bonus are indeed remarkable. Every passenger may watch their own individual television screen while not disturbing the other, via wireless headphones. I’m quite diverted by the fact that the plush headphones are lovingly closeted in a soft cloth pouch much like you would your Bottega Veneta Knot.

I am still trying to think about where the remaining elusive speakers could be while I am being informed about cylinders and horsepower, which is just Greek to me. But I can say that it did a pretty smooth 200+ on Mumbai’s sea link, which you must admit is a feat. And that isn’t even while engaging the sports gear, which is just a stomach-clenching head rush. Even if our city roads provide a challenging environment for the wishful driver, this little vehicle makes it a ride so smooth, it could be an ad for Silk. All I’m left with is the sense of wonderment – in much the manner of people’s response to Apple products – if this one is this good, what’s the USP of the next version? In-built shower cubicles…or the ability to go on land, water and air?

Hermes: Open House

17 Friday Oct 2014

Posted by sitanshi talati-parikh in Brand Watch, Publication: Verve Magazine

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Fashion, Hermes, Verve Magazine

Vervemagazine.in October 2014

‘Cat: Where are you going?
Alice: Which way should I go?
Cat: That depends on where you are going.
Alice: I don’t know.
Cat: Then it doesn’t matter which way you go.’
― Lewis Carroll, Alice in Wonderland

Wouldn’t it be wonderful, if we could shop aimlessly and with gay abandon, stumbling upon the things that most impressed us and made us merry? How lovely it would be if fashion, art, architecture and technology came together in a happy mix, giving us a sublime, subterranean world of exploration.

Illustrator Pierre Marie, who has also previously designed scarves for Hermès, worked with Bali Barret to design an interactive online shopping space in a rich illustrative style. As they describe it, it is Hermès’ first ‘dedicated virtual home for its ebullient women’s silk collections.’ The clever bit lies in the fact that the virtual home is in a constant state of change (taking into account the time of day and weather!), which the visitor discovers while wandering freely around, exploring the myriad rooms: a treasure chamber, a saloon, a cinema, a colour mixing kitchen…and even a boys’ bedroom. And in there lies a treasure trove of over six hundred models of silk squares, shawls, twillys, scarves and stoles.

Wherever you are in the world, at any point of time, using your computer, tablet or smartphone, you can explore this world and find the perfect scarf, based on colour, design, or material (silk/cashmere). Discover ideas for knotting a scarf, while you are at it! It launches on lamaisondescarres.com.

Chanel No. 5: The One That I Want

15 Wednesday Oct 2014

Posted by sitanshi talati-parikh in Brand Watch, Publication: Verve Magazine

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Beauty, Chanel, Verve Magazine

Vervemagazine.in October 2014

Chanel No. 5’s new campaign directed by Baz Luhrmann features Gisele Bündchen and has a haunting soundtrack. Here’s a look at the much-awaited release with behind-the-scenes footage and event photos (Go to vervemagazine.in for the behind the scenes videos and additional stills and footage and interviews here.)

Chanel-3

The music is so haunting that I wake up the next morning with the melody of You’re the one that I want by Lo-Fang in my head. A very familiar song is taken and then expectations are disrupted by giving it a completely different feel…that is what art is about, after all. But it doesn’t happen all at once. It creeps over you as you watch it, as you listen to more. And that is the embodiment of the spirit of a woman. She isn’t everything you see all at once, or what you thought you knew about her. She’s all that and more. The woman we all identify with is the person who is equally at ease at home with her kids, chasing after her love and at work, all in all, being a woman of substance.

Chanel’s No. 5 has had a reliably larger-than-life treatment under Baz Luhrmann’s expansive direction; not to miss the fine detailing with hints to the number that has become iconic under the brand as seen in the delicate jewellery, the surf gear, and the mise en scene.

At the Chanel office, over cookies and tea, we watched the story unfold through all the behind-the-scenes videos. Baz brought the making-of alive with his clear grasp on the vision and story. He had previously directed Nicole Kidman as the face of the feminine scent, and now he has evocatively shot Gisele Bündchen in their latest ad film.

In 1920, when Coco Chanel was given numbered glass vials containing sample scent compositions, she picked a number that has always meant a lot to her – number five. The number, with it’s non-fussy classic bottle, has become iconic over the decades made particularly so when Marilyn Monroe was asked in an interview what she wore to bed, she responded with, ‘five drops of Chanel No. 5.’

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