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sitanshi talati-parikh

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Tag Archives: Art

Priya Jhaveri: A Sense of Self Over A Sense of Style

28 Saturday Oct 2017

Posted by sitanshi talati-parikh in Fashion & Style, Interviews: Lifestyle, Publication: Mint Lounge

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Art, Jhaveri Contemporary, Mint Lounge, Out of the Closet, Priya Jhaveri, Style

Published in Mint Lounge, October 28 Edition
Photographs by Abhijit Bhatlekar

Screen Shot 2017-10-31 at 4.05.06 PM

The passion for art began at home. Gallerist Priya Jhaveri’s parents were “obsessive collectors” of beautiful things, including modern art and antiquities, textiles, jewellery and ornaments. “They travelled widely, always including us in their visits to artist studios and galleries, and encouraged a study of the humanities,” says Jhaveri.

Since 2010, an apartment on Walkeshwar Road in South Mumbai, designed by Bijoy Jain, has been converted into Jhaveri Contemporary, a gallery showing artists across generations. Priya’s older sister, the London-based Amrita Jhaveri, manages the relationships with the estates they represent as a gallery. In Mumbai, Priya works closely with the gallery’s international artists, producing, promoting, managing exhibitions and negotiating sales, while overseeing daily operations.

The 41-year-old modern history and Spanish major from Oberlin College, US, has worked with an environmental law firm in San Francisco, collaborated with writer and filmmaker Bishakha Datta’s non-profit organization Point of View (POV) in India, co-authored a book,Unzipped: Women And Men In Prostitution Speak Out and worked as editor and project manager on books on Indian art and architecture at India Book House, before joining the art consultancy set up by her sister that evolved into the gallery.

The gallery showcases a wide range of artists, both veteran and avant-garde—currently on show is experimental film-maker Shambhavi Kaul’s work—and it forms a reference for Jhaveri’s individualistic sensibility and aesthetic values.

Priya gravitates towards understated elegance with a touch of quirk. She is dressed in Western attire for the most part. “I adore saris but I can’t tie my own sari!” she says. She has a practical approach to dressing: You are likely to find her in flats and sporting a white Swatch Skin watch. She avoids “high-maintenance clothes” for her work life, and opts for functional ready-to-wear for travel abroad, accounting for the local climate and long days at fairs. But there is always an accessory, like the chunky ivory wedding chudis she wears to add a touch of colour, or jewellery from sister Nandita Jhaveri’s eponymous line.

Screen Shot 2017-10-31 at 4.05.13 PMShoes by You Khanga. 

You might struggle to recognize the brands she wears, for she shops at local boutiques abroad for anything that catches her eye, like the You Khanga closed-toe flats (an Italian brand that works with African prints). A classic blue Acne Studios shirt is a staple and a Stella Jean dress a fun favourite, with basics from Uniqlo and Zara. In India, she tends to pick up items from Bodice, Amba, Vraj:bhoomi (for brogues) and close friend Maithili Ahluwalia’s Bungalow 8. It’s all so subtle, you wouldn’t even realize she is wearing a Chloé dress. You believe her when she quips about her personal style, “I’ve not given it much thought, so perhaps it’s effortless.”

Lounge caught up with her for an interview. Edited excerpts:

How would you describe your personal style?

I do know that style eclipses the best of wardrobes, presupposing a certain authenticity: Find comfort in your own skin, and the rest will follow. I tend to veer towards a more classic look. I’m not hugely adventurous and, depending on my mood, I can pick things that are elegant, androgynous, lazy even: I’d love to leave home in a pretty kaftan and chappals with a silver necklace thrown on.

Are you attracted to a specific palette or cuts?
I gravitate towards classic cuts set apart by irregular detailing. I enjoy striking colours—orange, turquoise, sky blue, emerald—and, on occasion, patterns and prints that are graphic, playful or more delicate. I appreciate clothing made using natural dyes and fabrics and the use of traditional weaves reinvented in contemporary design.

Do you believe that a sense of style is important?
Not as much as a sense of self. But if we’re thinking of style more broadly, in terms of attitude and comportment, then yes it is.

Is there any weight to the saying: style/dressing is an art form?
It can be, absolutely, just like the best of television can, or a piece of writing, music, architecture or dance.

Describe your preferred outfits for work, evening and a casual setting.
Lots of dresses with silver jewellery (also jewellery made with materials like coral, stone, glass) and sandals for work. If I’m working at an art fair, I add skirts and jumpsuits, with heels on the first three days and flat shoes on the last two when comfort trumps vanity. In a casual setting, I adore roomy trousers in Khadi by Runaway Bicycle.

Screen Shot 2017-10-31 at 4.07.30 PMVintage agate and diamond earrings designed by her father Dinesh Jhaveri in the 1970s.

Describe your three best style acquisitions.

A Patola sari for its flawless double-Ikat weave. Brilliantly handcrafted, it resembles a Nintendo game with its graphic pattern sporting animals and hybrid creatures. Earrings designed by my father, Dinesh Jhaveri, in the 1970s, for their inventive use of materials like wood and crystal alongside diamonds and gold. And a classic Boucheron watch with interchangeable leather straps in multiple colours for its timeless design.

When it comes to art and fashion, do you believe in acquiring timeless pieces or the flavour of the moment?
The challenge is knowing whether the “flavour of the moment” will be timeless or, equally, whether you need it to be timeless. In collecting art, my judgement sits somewhere between instinct and knowledge. It is important to make informed decisions. Supporting an artist can often be reward enough, as can an impulsive bout of retail therapy.

How important is sensibility and can you define it? Can it be acquired or is it inherent?
Sadly, I can’t define it. Its importance, however, is hard to over-exaggerate. Given that sensibility covers everything that not only makes sense but also makes beauty out of the daily rough and tumble of our lives. In a different mode: I don’t think sensibility is a value that is central to art or style anymore. Most artists today respond to literary or political values. Prelapsarian aesthetic pleasures have given way to more theoretical approaches.

When it comes to style, who or what inspires you?
Artist Amrita Sher-Gil, irreverence, The Sopranos, the novels of Philip Roth, the people I love and the laughter of old friends.

Spells in the Shadows: Prague’s Art

31 Friday Jul 2015

Posted by sitanshi talati-parikh in Publication: Verve Magazine, Travel Stories

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Art, Europe, Interviews: Travel, Mandarin Oriental, Prague, Verve Magazine

Published, Verve Magazine, July 2015
Images by Sitanshi Talati-Parikh

There is a deep romanticism in Prague, the city that speaks of desire and timelessness….

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I see myself living like a troll under the Charles Bridge — or having a conversation one bewitching night with one of the many baroque-style statues that line the bridge. Such is the draw of the city — as if witches that hide in the alleyways have brewed up a mysterious potion with their gnarled hands, the elixir that entices you to want to roam the cobblestone paths searching for truth on the darkened walls. History seems to lurk in those streets, sometimes furtive, often beckoning, suggestive of many moments of love, lust, hope and death. Time stops at the very moment in the past that your imagination sucks out of the grasp of history…as if the pages turn before you in the form of shadowy streets and pebble-stone corners.

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One of the only cities in Europe offering the finest examples of every single architectural style, one would imagine this to be a city that would captivate minds seeking to paint dark rich strokes on canvas, extolling the virtues of a land that is like a dark maiden with a tattoo — neither fair nor blemish-free but full of promise. And yet, the nondescript galleries that are scattered all over the touristy parts of town are not plum with creativity. Surly faces, bored tones and a melange of artworks are what a tourist will encounter if seeking without knowledge of where to look. As I sit in the shady, tree-lined square, I see what others may have seen. Time etched on walls, celebrated by seasonal tourists and seasoned salesmen. Local kitsch and pop art history make their presence felt amid curios and street art.

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The walls don’t disappoint. Taking to the streets from Prague Castle across the Old Town to Municipal House would unfold almost all the historical styles, including Gothic, baroque, eclectic historicism and art nouveau. Not to forget the quaint Jewish Quarter with well-preserved structures and historical synagogues. And within many of these beautiful buildings, monuments of history, you may find inspiration.

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Across a beautiful park, taking the road behind the Mandarin Oriental Hotel, Prague, lies the Kampa Museum. One of the solid examples of artistic exploration where an explosion of thought can break through via a fine slice of contemporary musings available in the form of installations or canvases featuring 20th-century Czech and central European art. (Not to miss a gigantic chair sculpture by Magdalena Jetelová that was once washed away in the floods.) Culture goes pop with the Gallery of Art’s selection of Andy Warhol, Dali’s photographs and Alfons Mucha’s selected art nouveau works. They may be few and far between, but tucked away in the corners of the city seeped in mystery lie hidden gems. Works of art that only a person determined to seek is likely to find.

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ART TALK

1. State institutions such as National Gallery offer a selection from Czech art beginning with medieval art up to recent days.

2. Private galleries offer mainly well-recognized Czech artists known as ‘1960s generation’ and young contemporary artists. Galleries are scattered around the city.

3. Many young artists, graphic designers and young professionals have their studio in Orco, Prague 7 which has become a kind of cultural hot spot. The Chemistry Gallery supporting young artists is also located there. The Hunt Kastner gallery run by two members of Prague’s expat community represents local artists, while also being instrumental in promoting local art abroad.

4. Museum Monatelli (MuMo) is one of only few private museums of fine arts in the Czech Republic and the the museum’s inaugural show in 2009 featured works by 21 international female artists.

5. Princely Collections, Lobkowicz Palace at Prague Castle is likely to become well-known, but for now, the knowledge of it remains with a few. The palace (within the Prague Castle) houses a newly-opened collection of music, art, antiques and arms drawn from centuries-old collections of the Lobkowicz noble family.

6. The Leica Gallery, showcases contemporary photography through the year.

7. Amoya: A not-for-profit project supporting young artists and a platform for Artbanka. The museum’s program takes place in the Baroque palace where visitors can familiarise themselves with the world of contemporary Czech and international art. FUTURA is another not-for-profit centre, with a residency program.

8. DOX Center for contemporary art, architecture and design is considered a dynamic cultural platform.

9. The David Cerny Tour: A 3-4 hour tour by a motor vehicle to explore the works of the famous Czech sculptor and controversial artist, curated by Katerina Sedlakova, a freelance tour guide also connected to the Mandarin Oriental, Prague.

10. Summer Shakespeare Festival: Every summer, from June through September, Europe’s oldest and biggest open-air theatrical event dedicated to the works of William Shakespeare has approximately 150 performances, but in the local Czech language.

A Drop In The City

15 Saturday Nov 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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Vervemagazine.in November 2014

Concerned with water, a deep desire to investigate, immerse and experiment, Atul Bhalla’s show in Delhi is stark and moving

Atul-Bhalla-Chair-in-the-landscape-36-x-53.5-in-Archival-Pigment-Paper-2013

1964-born, Delhi and USA educated, Atul Bhalla is deeply interested in the environment particularly the eco-politics of water. His conceptual art creates an engagement with urban and metropolitan spaces, particularly those in his home city of New Delhi. He is also known as an environmental activist on the basis of his preoccupation with the distribution, regulation, commoditisation and pollution of water – and yet he stays on the right side of social concern. Bhalla describes his practice as an attempt to understand water, the way he perceives it, feels it, drinks it, swims in it and sinks in it. Possibly, with the world losing sight of the water crises, with the immense wastage of natural resources in movements like the Ice Bucket Challenge, it is prudent to have a speaker for the precious resource.

5 Questions with the artist, Atul Bhalla
1. Artistic Motivations “It’s the deep desire to investigate, experiment, immerse, push boundaries and communicate…to say it my way.”

2. Inspirations “Jeff Wall, Francis Alys, Andrei Tarkovsky, Isaac Bashevis Singer, Wislawa Szymborska, Fyodor Dostoevsky.”

3. On the wall at home “Francis Bacon, Giacometti, Gerard Richter, Tacita Dean, Jeff Wall, Francis Alys.”

4. Concerns that find place in your art “Water!”

5. If you weren’t an artist, you would be…“Still an artist!”

Ya Ki Kuchh Aur runs until January 2, 2015 at Vadehra Art Gallery, D-53 Defence Colony, New Delhi.

Does Mass Culture Have Meaning?

10 Monday Nov 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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Vervemagazine.in November 2014

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From an organic site-specific installation by architect-turned-artist, Asim Waqif to an exploration of structure and space through Aditya Pandey’s abstract paintings, Rajorshi Ghosh’s photo montages and video, and Vishal K Dar’s robotic lighting ensembles (crafted out of automotive parts sourced from the grey market), The Science of Speed explores the ‘immersive environment of pictures, objects, lights, colours and sounds.’ The title of the exhibition draws upon French philosopher Paul Virilo’s concept of ‘dromology’, describing how society is referenced by and revolves around mass media, which the philosopher considers to be a form of modern warfare.

Much like their observation of the movement of images in mass media and culture, the artists in the exhibition acquire and recycle images and objects without a reference to the original context or function. Check it out for the ability to step away from a burgeoning digital culture and question the endless consumption of information that after a point becomes seemingly meaningless.

The Science of Speed by Nature Morte is on view at Famous Studios, Mumbai from November 6 to 16, 2014.

Artist Profiles

Asim Waqif Hyderabad-born and New Delhi-based architect-turned-artist, who has had four solo shows in Paris, Delhi and Mumbai. He recently showed at the Marrakech Biennial. He has been associated with many research and development programs in Badrinath, Rajasthan and Himachal Pradesh.

Aditya Pande Lucknow-born and New Delhi-based artist has a degree in graphic design from NID-Ahmedabad and has had five solo shows in Mumbai, Gurgaon, London and New Delhi.

Rajorshi Ghosh Calcutta born Ghosh now lives in New Delhi and Ohio, where he teaches at the School of Art at Ohio University. Also an NID-Ahmedabad graduate (Visual Art) he also did his MFA from the University of California-Los Angeles. He’s exhibited internationally, and in received the Jury’s Recommendation Award at the 11th Japan Media Art Festival in Tokyo.

Vishal K Dar New Delhi-born and based artist studied architecture in Gugaon and later did an MFA from the University of California-Los Angeles. He’s exhibited internationally and was awarded the ‘Promising New Artist’ award by the India Habitat Centre (2006).

Ground Space

23 Thursday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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Vervemagazine.in October 2014

15 artists showing for over three months at Lado Sarai’s new gallery. There’s no way you can miss Zameen, curated by Ranjit Hoskote

Ranbir-Kaleka.A-panoramic-spectrum

Last year, ArtDistrictXIII opened it’s doors in Lado Sarai, and now they have a group show curated by Ranjit Hoskote with some heavy names in order. Gigi Scaria, who gave Verve ‘frame-able’ art (July 2013) is also present among names like Atul Dodiya, Gargi Raina, Baiju Parthan, Ranbir Kaleka and Jagannath Panda. Titled Zameen, Hoskote admits to the initial reference point of Husain’s Zameen and moves on to establish the various ranges of thought leading to a collection of 15 artists in Lado Sarai: starting from “the processes of gentrification and urban expansion” to “the aura of exile and diaspora.”

The artists have articulated their explorations of zameen through diverse media, ranging from woodcut, paintings, digital prints and installations to finding expression in domains like the blog or graphic novel or “the additive memoir into which a sequence of Facebook posts can develop”. “Taken together, I regard these outcomes – whether manifest or latent, exhibitionary or discursive – as travelling territories of thought,” writes Hoskote in his curatorial essay.

What may we expect?
In the curators words (excerpts):

1. Atul Dodiya and Baiju Parthan engage with the ideological and aesthetic resources of the contemporary Indian subjectivity, the varied pasts from which we in the present may derive critical inspiration rather than inflated pride.

2. Jagannath Panda and Gigi Scaria phrase hymns to despoiled environments and their endangered denizens and silenced mythologies; their paintings gesture towards the syndromes of war and expansionism.

3. Lost homelands preoccupy Veer Munshi and Zarina Hashmi; both artists explore mnemonic forms, Munshi through portraiture and Hashmi through cartography and the symbolic image.

4. Ravi Agarwal shares, with Hashmi, a concern with memories of space once inhabited by family, structured by rituals of kinship and inherited ways of being and making, now disrupted by economic and political shifts. Agarwal also shares, withArunkumar H G, a commitment to critiquing and resisting the toxic industrial threat to agriculture and the environment.

5. Land, in Ranbir Kaleka’s account, is the cumulus of the fantasies, stories, dreams and aspirations of those who inhabit or occupy it. Fantasies of belonging also animate Gargi Raina’s work: she explores sensory memories that modulate our sense of self, working beneath the levels of waking consciousness.

6. Elliptical family memoirs also define Ram Rahman’s work, which is charged with his intense experience of the neighbourhoods he has inhabited in New Delhi and New York. In Ashim Purkayastha’s work, the family portrait encodes the circumstances of oppression and terror that have constrained private life and compromised civil liberties in zones such as North-east India, where the mandate of militarisation often overrides democratic guarantees.

7. Praneet Soi’s work, like Ram Rahman’s, articulates the modes by which a transcultural subjectivity anchors itself in multiple locations.

8. Both Vishwajyoti Ghosh and Ryan Lobo record forms of community emerging within a hyperreal present dominated by metropolitan aspirations: their artistic projects capture the thrum of travelling subcultures, the momentum of societies in fast motion.

Zameen is on show until January 31, 2015 at ArtDIstrictXIII (F-213C, Lado Sarai, New Delhi).

Open Minds

20 Monday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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What do mind maps and vacuums have in common? Find out in the artistic dialogue between an Indian and American artist in Delhi

Pieter-Schoolwerth

This week in Delhi, a visual dialogue opens between two artists, Avinash Veeraraghavan (Indian) and Pieter Schoolwerth (American), about mapping minds and vacuums respectively.  It’s a bit of a brain twister pushing boundaries of the imagination into mental black holes and mapping the psyche through the collective unconscious and free association. In We do not see things the way they are, we see things the way we are, Veeraraghavan’s fictional maps are conceived as metaphors of the places his mind has seen; while Schoolwerth’s first exhibition in India, My Vacuum Suucks, brings to the table the vacuum of reality.

Through the materiality and liberated signification of We do not see things the way they are, we see things the way we are, Veeraraghavan expresses “delight in the coming together of difference.” Meanwhile, moving images, six paintings and a series of collages depict the “trials and tribulations of presence versus absence in the vacuum space of the world” for New York city based Schoolwerth.

The exhibition is on until December 17, 2014 at GallerySKE (1st Floor Shivam House, F 14 Middle Circle, Connaught Place, New Delhi).

All About Town

14 Tuesday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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Urban narratives always make for a talking point in art. Field of Vision brings together six artists who expand this dialogue

Shilpa-Gavane1-Clear-4x6

Reports show that jungle animals are beginning to adapt to city life to survive; it is estimated that by 2050, 65% to 80% of humanity will live in urban centres. Field of Vision, curated by Jasmine Shah Varma, brings together six artists whose works feature powerful urban narratives: Anjana Mehra, Gautam Bhatia, Indrapramit Roy, Jaideep Mehrotra, Meera Devidayal and Shilpa Gavane. Their art explores the city in it’s myriad dimensions, its past and present and its metaphorical implications through recognised emblems in various media such as painting, sculpture, mixed media works and photographs.

Catch Field of Vision at Gallery Art and Soul, Worli, Mumbai from October 14 to November 15, 2014.

Shifting Sands of Time

11 Saturday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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International migration, home and displacement of time are explored in this solo show by artist Tahireh Lal in Bangalore

GALLERYSKE_TahirehLal_TheHourglass_1-300x450_c

Tahireh Lal’s material experiments with sand began while walking on the beaches of Toronto Island. Metaphysical Gravity exhibits the artist’s installation, video and kinetic sculpture. Lal explores the idea of international migration – home in the context of contemporary mobility.

The Hourglass (shown above) reflects on the nature of time. Within a rotating hourglass, sand flows from one chamber to the other. However, magnetic forces hold part of the sand in permanent suspension; thereby remarking on the conflict between clock time and lived time in one’s experience of new and unfamiliar environments.

Lal’s artwork has featured at film festivals and in galleries in India and at international events. She currently runs her art practice out of Koliabur, Assam and Bangalore.

Metaphysical Gravity previews this evening (7pm) and is on show until November 21, 2014 at Gallery SKE (2 Berlie Street, Langford Town, Bangalore).

Tall Tales

10 Friday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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Satirical collages and metaphors make for descriptive storytelling in Abul Hisham’s new works showing in Mumbai

Abul-Hisham-Royal-Portrait-2013-Acrylic-pastel-charcoal-on-paper-152.4-x-122.4-cm-60-x-48-in-

Kerala-born and Hyderabad-based artist Abul Hisham’s works have an absurdist quality in their satirical collages that make for a powerful visual spectacle. Drawing inspiration from mythology, art history, cinema, popular culture and religion, you find his works talking to you or unfolding a story in the manner of an elevated picture book, with layers of metaphorical meaning.

5 Qs with the artist, Abul Hisham:

1. Artistic motivations “It’s the passion of doing things. I am interested in transferring idea onto medium and transforming it. ‘Constructing’ different things – media, characters, even text, helps me get closer to the idea.”

2. Inspirations “Art history, the cinema, religious mythology and cartoons inspire my work. Artists who inspire me greatly are Goya and Manet.”

3. Artists at home “There are too many!”

4. Concerns that show up in your work “Religious conflicts and caste systems. The two things matter the most today.”

5. If you weren’t an artist…. “A lot of my family members were going to the Middle East and some took up civil engineering. So there was talk of that when I completed 12th grade. But I chose art school instead!”

Abul Hisham’s new works previewed on Art Night Thursday October 9, 2014 and continue until November 22, 2014 at Galerie Mirchandani + Steinruecke (2 Sunny House, 16/18 Mereweather Road, Behind Taj Mahal Hotel, Colaba, Mumbai).

Wisps of Imagination

09 Thursday Oct 2014

Posted by sitanshi talati-parikh in Art, Literature & Culture, Publication: Verve Magazine

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10 works addressing the relationship between nature and imagination. N. Pasharamulu’s debut solo opens today in Mumbai

Itself-IX-560x400_c

The Karimnagar-born and Hyderabad-based N. Parsharamulu finds his debut solo in Mumbai where human forms (with heads shrouded in darkness) appear as figures in motion that are stunted or interrupted. He’s exploring the world of reality through imagination, through the visible and invisible; and as is with all art, through the dynamics of human perception.

It is nearly like an X-ray into the world of the unknown, made more so by his chosen monochrome palette, as if creating his own Rorschach ink blot test into the psyche.

5 Questions with the Artist, N. Parsharamulu: 

1. Artistic motivations “Life as I see it unfolding within and around me.”

2. Inspiration “Eastern philosophy and art itself.”

3. Choose to have at home “Francis Bacon and Edward Munch.”

4. Artistic concerns “I address the relationship between nature and imagination in my works.”

5. If you weren’t an artist, you would be… “I cannot imagine being anything other than an artist.”

Itself previews on October 9 evening and continues until November 8, 2014 at Gallery Maskara (6/7, 3rd Pasta Lane, Colaba, Mumbai; 11am-7pm Tuesday through Saturday only).

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