time warped time

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watching Star Trek made me realise that preordained destiny is not restricted to a niche belief. as much as humans are divided into two schools of thought: one that hates feeling that life is a product of destiny and out of our control; and the second that can’t accept that there is no meaning and sense to life – do we all drift in a sea of abstract chaos? Star Trek talks (albiet vaguely) about two ideas: that the future is preordained in our own time conundrum; and that an alternate universe exists where life can potentially be mirroring that of our own – and time is just a construct, but one that has a supreme significance to our life and future. Time in that sense is a part of fate or destiny.

So in our meaningless/ful existential world, are we merely biding time until our future plays itself out for us? Apparently not – even in preodained-ness, there is a sense of control – a fighting spirit to either fix, change or correct the chain of events that brings us to the most acceptable future – and like any other rom-com or hindi flick, live happily ever after. But that is not real life. Real life exists in a complex fragmentation of self-doubts, misgivings, trials and minor triumphs – the latter giving one the will to move on. Ironically, without the ability to see into the future, one really doesn’t know what it is that we are moving on towards. Are we running away from our selves, or towards finding our selves? And even if it is either – that still brings us to the biggest problem facing humanity right now – the importance of the self.

If we take a movie like star trek to understand that we are but miniscule and largely insignificant players in the bigger picture – think how small each of us would look when viewed from another planet or galaxy – we begin to question the importance we give to our self. Every task we do, every decision we make in life, can eventually be traced right back to ourselves. Even if we do something for others – it is to make ourselves feel better. It’s like what Pheobe tried to do in an episode in Friends – and failed miserably – in finding the one unselfish act that would not amount to being self-serving. If we let ourselves become bigger – in our eyes – than the great populace, than say the planet or the human race; it can and will lead to no good. If we mean nothing, and are nothing by ourselves — and we exist based on the strength of the entire race, then maybe its time to start thinking about the bigger picture.

Tomorrow, if we had to make a decision to save ourselves or tons of other people – what would we choose? Captain Kirk (and his kind) are merely poster children of an extinct species.

the highs of the lows

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The stock market, the art market, the luxury goods market – all have been hit. I read a good article by Ben Lewis in The Times (UK) which thoroughly summarizes exactly what has been going on. Quoted from his article: “The prices were so high that they obliterated the meanings of the works, reducing them to symbols of excess and obscenity. I suspected that these prices were a sign that something was going dangerously wrong in the world economy and the human imagination.”

And this reflects across all the recessionary markets which faced inflated prices. At the end of the day, the behaviour of buyers is highly idiotic – they buy at a premium and sell to stay afloat at a low market. That is also what my father-in-law talks about, especially in his recent book that highlights the irrational behaviour of the buyers in the stock market.

It is not very different with art or luxury goods – it is also a severe case of herd mentality, when people buy because everyone else is buying, to make that quick buck bec they believe they will be left out, bec they are afraid of looking ‘uncool’ or ‘stupid’, or bec they just have a lot of money lying around. The worst is when people borrow to buy into goods at inflated prices, planning to cash in and make the big moolah. These people tend to slink away in misery when the markets are low, waiting for the markets to do well again, before investing! It makes no sense. The smart investor would buy when no one is buying and when the deals are available, right?

The other deal with inflated prices is that those aiming for statements of wealth are willing to part with more money, simply to appear ‘cooler’ – to have been able to afford a painting at an over-inflated price – a price that may never come around again until the next sucker turns up. These are people who are bound to be let down. This ability or willingness to part with a premium for something that may never be worth that much, denotes serious irrationality; and is one of the reasons that markets spiral out of control.

The question remains – how far is one willing to go to make that statement of wealth? to show that you have ‘arrived’ – how low are you willing to go, and how high a price are you willing to pay?

Interpretive Art

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Published: Verve Magazine, Nerve, May 2009

Photograph: Nilesh Acharekar

Art theorist, educator, poet, writer and photographer, Amir Parsa has often been publicly referred to as a ‘phenomenon’. On his recent visit to Mumbai, he chats with Sitanshi Talati-Parikh about his work with art and Alzhiemer’s disease at the Museum of Modern Art, New York

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Born Iranian, but culturally and educationally French, Amir Parsa has spent less than a decade of his initial years in his home country, before finding himself in the suburbs of DC, USA. A formalist, his regular attendance at French schools affected his interest in art theory and literature and he discovered himself as a literary writer at the shockingly early age of five and continued through his teenage years. This interest in art, and literature as verbal or scriptorial art simply snowballed into a profound interest in education.

Parsa, who himself is an excellent listener, considers education to be something more complex and subtle than a mere transmission of knowledge – rather, knowledge as learning, interaction and often designing society and social beings with its critical engagement. That has been his preoccupation for the last four or five years at the New York City cultural icon, Museum of Modern Art (MoMA). Curious to explore how the arts can affect the quality of life, he is currently involved in an inquiry-based learning with different audiences, ranging from kids to adults, and now particularly with patients of Alzheimer’s disease.

“It isn’t lecturing, but rather starting with a lot of questions. We look at paintings and sculptures (among other art) that invite description and interpretation. Through that process we allow people to enter into critical dialogue with the work that they are engaging with and with themselves, with their previous thoughts and life experiences,” explains the Princeton and Columbia alumnus. For instance, someone with Alzheimer’s disease might have to say something very different from what is obviously in front of them, but they are making a particular connection. The museum’s learning programme acknowledges and encourages it.

Usha Mirchandani, of Galerie Mirchandani + Steinruecke, discussed the need to bring this sort of a transformation into people’s lives in India. Parsa, who is not deeply familiar with Indian art, embraced the idea, considering it to be an exploratory phase; the chance to open up dialogue on ‘how can art matter?’ in new environs. Sharing similar concerns, Mirchandani facilitated Parsa’s educationist lecture in Mumbai recently, held to an open audience of art lovers, collectors and artists. Parsa is already planning another trip to India, this time as an individual writer-artist. An author of ten literary books, his latest publication, a book that he is working on with a team at MoMA, is due to be out this month.

Bali’s Haute Brigade

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Published: Verve Magazine, Life & Travel, April 2009
Photographs provided by the designers and artists themselves. All photographs are individual copyrights. This blog post does not assume any credit for the photographs.

While others sun, tan and shade themselves, Sitanshi Talati-Parikh gets up close and personal with some chic entrepreneurs and designers in Bali who are creating a global brand for themselves.These expatriates come together to create a fabulous confluence of talent and tradition, where international eyes meet local hands

A hop, skip and splash away in a tropical microcosm of creativity, one can discover a haven for those searching for a different and better life. “A mysterious and magic place charged with tremendous powers of creation and destruction, growth and decay, harmony and struggle,” says expat Susi Johnston. It was as far back as 1920s when artists and photographers moved to Bali inspired by the unselfconscious Balinese women working the fields, and the spectacular tropical environment. It wasn’t long before Bali became the centre for creative ambition. Now, with over 15,000 expats, the island is exploding with a fountain of talent that is simply waiting to be discovered.

While international brands lie low, it is the local labels that take centre stage, run by enterprising young people who are clever enough to spot the advantages of using the unentrepreneurial local talents in a more marketable and international manner. As I speak to many of the people who have moved there, I find that they have discovered a style niche – inspired by the lush tropical environment, amiable people, easy-going life and lower standard of living, they have found opportunities on this island, or more correctly, created opportunities on this island that they may not possibly have had in their home town. The “powerful” and “energetic” island is more than home for most of these “accidental entrepreneurs”. It is also a livelihood and a lifestyle.

And the locals play an important part – every expat I met unreservedly states that the Balinese people are superlatively talented. Excellent at working with their hands, quick at moving forward with traditional techniques and themes that have been handed down through the ages, they however, lack the ability to create an international-style brand and the vision and entrepreneurial ability to take it forward. Is it a happy marriage then? Possibly, though the challenges are many. Work stops unaccountably and a sense of professionalism is lacking. Language is another huge barrier. But these are small bumps on the style highway, as many of these expats are finding fruition by getting noticed by top design houses, designing for billionaires’ homes across the world, and finding a space in a global arena. While some bring global experience to the table, all have a keen sense of creativity and style.

Through many days of exploration, in between afternoons on the beach and motorbike rides through Jalan Oberoi, Seminyak’s shopping area filled with chic boutiques; tête-à-têtes over ‘Bali coffee’ at the boutique Elysian Hotel, wanderings through Bali’s art town, Ubud, cocktails at Amandari, watching ceramic production in action and bargaining with the jewellery vendors, I came across a phenomenon of style, determination and hard work.

Janet De Neefe
Writer, entrepreneur and restaurateur
Restaurants: Casa Luna and Indus, Ubud 

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It is not difficult to imagine Janet De Neefe as the face behind the annual international Ubud Writers & Readers Festival that is now in its sixth year, and has been instrumental in putting Ubud, Bali and Indonesia back on the travel map after the Bali bombings of 2002. “The aim of the festival is to give a voice to the many talented Indonesian writers by placing them on a world stage, alongside the likes of Vikram Seth and Michael Ondaatje.” Vikram Seth proclaims that his presence at the festival was merely because of Janet’s untiring persistence. Janet’s love affair with Bali began on her first holiday with her family, and on her second visit she met her husband Ketut. She hasn’t looked back since, having spent 20 years in Bali.

Roots Melbourne, Australia

Bali Years 20 years in Ubud

Creative Space Running two restaurants and authoring a book of her personal journey in Bali, partially inspired by the local cuisine and traditions called Fragrant Rice (2003)

Personal Style An eclectic take on the local designs: “Exotic Asian and Paris chic, with a bit of Spanish thrown in. I adore Indian textiles but also love Baroque style and Chinese and Moroccan embroidery.”

Challenges “Amidst all the challenges or misunderstandings, Bali has provided me with an exceptional life that most others would only dream of. I live in a generous, supportive community who value the importance of family, neighbours and community. So many places in the West have lost this. I never feel lonely or isolated and my children are treated with respect.”

“My love affair with Bali began in 1974, with my first visit on a family holiday when I was 15. I remember landing on the shores of a garden paradise, surrounded by waves and nodding palm trees and when the plane doors were flung open, the warm heavy air, mingled with fragrant frangipani and the sweet smell of clove cigarettes, embraced me like a long lost friend.”
– Janet De Neefe, Fragrant Rice

 

Made de Coney
Designer and boutique owner
Label: Lily Jean, Seminyak, Kerobokan (Kuta), Nusa Dua

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Made de Coney received an inheritance of US$ 5000 from her father (who lived in Bali) at the age of 23, and without thinking twice, used it to rent a shop and create the Lily Jean label. Influenced by international fashion and inspired by the local Bali artisans, Made uses imported materials and local hand work, especially in embroidery and batik. “The same artistry they use for their religious ceremonies are applied in every artistic endeavour.”

Roots Born in Bali, she spent a decade of her childhood in Brazil and studied fashion in America.

Milestones The label is available in 12 countries, and with five shops in Indonesia, Made can look back and say, “Now I realise it is quite an achievement!”

Customers “They are women in their teens who love the playfulness of the designs; they are women in their 20s who are seeking personal statements to make with their style; women in their 30s who embrace the need for changing expressions of self; and women of every age who appreciate the delight of dressing for their own pleasure in beautiful garments that enhance their sense of self.”

Challenges “I’ve learnt to be very tolerant of religious holidays (Christian, Muslim and Hindu) and to cultivate my patience.” 

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The Lily Jean Label has soft, stylish street wear and highly glamorous cocktail dresses with important materials and local handwork.

Kirsty Ludbrook
Artist and designer
www.kirstyludbrook.com; www.ludbrookandludbrook.com

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Kirsty Ludbrook moved to Bali to set up a home for her three boys – so that they could experience a world beyond the suburbs of Sydney. “The idea was thrilling and liberating. Especially our boys living this crazy exotic life in their early years, one that is so different to that which they would have had in Australia!” While she discovered that her flair for sketches and painting could be translated into sophisticated murals using local batik techniques on cloth, her husband Richard, a fashion photographer, is building a studio in Bali to accompany the very large one he already has in Sydney. “When I first arrived here I immediately started experimenting in my art with the new materials and techniques available – particularly with the rich, lustrous colours that could be achieved in silk batik work. As a result, my art evolved, and I have been working on portraits which are created by appliquing and embroidering together individual pieces of silks.”?Her paintings get an audience at her solo show in the Biasa Artspace this year.

Roots Sydney, Australia.

Milestones Kirsty has successfully sold a design agency in Australia,?and has been named by The Bulletin Magazine as one of Australia’s top 10 creative talents in their annual Smart 100 listing.

Challenges “The hardest thing is the fact that the Balinese are such nice people. They don’t want to disappoint you or say no. More often than not, being told ‘not possible’ at the beginning would have proven a little more practical.”

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Kirsty Ludbrook’s silk ‘Art Kimonos’ are inspired from costtume design in Japanese Manga and action films, while the hooded kimonos are from Ninja characters – which sounds deceptive, as the finished product is feminine, soft and very sensual.

Michela and Marcello Massoni
Creative head and business manager
Space and Brand: Gaya Fusion, Ubud

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The first private contemporary art space in Bali was started by Stefano Grandi, an Italian entrepreneur, in collaboration with an Indonesian, Nyoman Birit. A young Italian couple, Marcello and Michela and their friend Giorgia Oronte were brought into the picture in 2003 with their background in sculpture and ceramics “to start a dream:? be able to be creative without limits and competitive and productive in an amazing environment.” With over hundred employees, Marcello manages Gaya Fusion, while Michela plays the creative head of the ceramics and sculpting division. Nostalgic about home at a time when Michela’s parents are visiting to meet the babies, they say that they “decided to move for the high quality of life, to give to our kids a natural living environment, to be creative without limits, to be inspired by the tropics and to be productive with capacities difficult to create in Italy.”

Roots Piacenza, a small town 50 km south of Milan, Italy.

Creative Space Gaya Fusion includes an art space showcasing local and international artists, a ceramic studio that exports and supplies to the top brands, including Bvlgari, Aman Resorts and Giorgio Armani Casa; private villas and spas with Italian-Balinese fusion architecture, and a restaurant offering Italian and Indonesian cuisine.

Challenges Dealing with Hindu culture, lot of ceremonies, beliefs, difficulty in finding a high level of professionalism.

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Using local products, Gaya Ceramics is always looking for new inspirations, as different clients mean different moods and designs. They make sculptures and unique pieces, while also producing nearly 5000 ceramic pieces a month.

Paola Zancanaro
Boutique owner and designer
Label: sKs or SimpleKonsepStore, Seminyak

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Paola Zancanaro hails from a long experiential fashion lineage. She studied fashion at the London College of Fashion, and began her career at Vivienne Westwood, in marketing, sales and events, then as celebrities’ dresser at Giorgio Armani, and finally at events at Prada, Milan. Ready for a change of culture, Paola considered Tokyo, but didn’t want a repeat of break-neck city life and chose Bali as her destination of choice. “I have been living on this amazing island for almost a year and half, its culture and nature are the reasons why I moved here.” She continued to work as a consultant for Prada events in Asia, while also becoming a part of a trendy boutique, sKs.

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Creative Space sKs – SimpleKonsepStore is the result of three Italian partners. All the sKs clothes are produced using antique Balinese techniques such as batik and silk screens. Paolo looks after the women’s clothes, while Mario Gierotto designs the menswear. Other accessories are from local designers and they also have exclusivity on Vivienne Westwood Jewellery.

Roots Born in Genoa and brought up in Alassio, Italy.

Challenges “Every day is a big challenge! You think you can do everything but when you get down to it, you realise is not that easy. Things do not get done quickly and as expected, but you can achieve amazing results by working with people who never stop smiling.”

sKs is a concept store where you can not just buy fashion but also find the latest gadget from Japan and real Italian design furniture such as the most iconic pieces from Kartell, Artemide, Flos and Alessi (brands that made history in the design furniture world).

Simonetta Quarti and Marco Lastrucci
Designers and boutique owners
Label: Quarzia, Seminyak

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Marco Lastrucci and Simonetta Quarti started Quarzia, a chic boutique on Jalan Oberoi, (the main shopping district in Seminyak) in 2005, when nothing besides rice fields existed in the area. Hailing from a fashion background – Simonetta was a textile designer and Marco a financial manager, they were looking for a change, and Bali seemed like the perfect option. “The freedom to express ourselves and the skill of the Balinese people” were great motivators to the couple who have spent eight years on the island. Inspired by the old traditional design, they give the fabrics an European sense of colour and design. They are not driven by “creative stress” – having to come out with new collections frequently. Instead, they believe in “eternal” clothes that are one-of-a-kind with great designs, cuts and style.

Roots Florence and Venice, Italy.

Challenges It is difficult for the local artists to be precise and manage to get the exact shade of colour required in creating clothes of international standards. “We are completely different from the local people, but we respect each other and we can learn from each other.”

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Quarzia makes one-of-a-kind clothes, where design, cut and style are very important, and where a pair of pants can be eternal.

 

Stephanie Robert
Designer, painter and entrepreneur
Maisonbulle Ltd. (www.mbulle.com)

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Stephanie has shifted through various creative interests and has entertained a relationship with the island since the early 90s when she came on holiday. “I loved the atmosphere and the endless possibility of creation and realisation the worker and their skills offered to one’s imaginative mind.” She returned to Indonesia to design, produce and buy a business she became a part of, for which she developed an interiors department, with the creation of a home textile and accessories line produced partially in Bali and India. Furniture took over textiles, and a sampling factory in Bali found Stephanie “enjoying experimenting, sharing knowledge and skill with a team of woodworkers, crafting beautiful pieces for single exclusive clients, architects, commercial decorators as well as large retail businesses.”

Roots France.

Design Style “Though my style would certainly reflect a great liking an admiration for the Scandinavian purist simplicity, mixed with an absolute love and fascination for the rough beauty of Asian road and country side furnishing and its practical laid-back attitude.”

Creative Space She is spearheading an online business, Maisonbulle Ltd. (www.mbulle.com) which an online catalogue of beautiful private holiday homes in Bali (and in the future globally), for which the main selective criteria is character. Specifically she recommends homes of designers, collectors, artists, philanthropists and travellers, whose homes reflect a unique character, to a similarly discerning set of travellers looking for a getaway. An editorial edition, Pulse, is soon to be launched. She also designs furniture and is a reclusive painter.

Stephanie puts her 15 years of experience travelling the world, particularly in Asia, into being a reference for “what is hot, stylish and worthy of attention”, with her online business Maisonbulle Ltd.

Susi Johnston
Art historian, designer, specialist sourcer
Store: Mican Tidur, Ubud 

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Determined to move to New Zealand, art historian Susi Johnston took a 14-year detour via Bali. She chose to ‘retire’ after a decade in marketing and public relations, “burnt out on fast-paced urban life,” and decided to spend six months in Bali doing “absolutely nothing”. She rented a little bamboo bungalow in the middle of the rice fields, near Ubud, and hasn’t looked back since. Susi speaks fluent Indonesian (actually stood in as a translator for an Indian yogi speaking to the local audience) and still hasn’t made that original relocation trip to New Zealand. “I ended up doing what I am currently doing in much the same way as so many other ‘accidental entrepreneurs’ who have found themselves in Bali,” says the ‘sleeping tiger of Bali’, who is a goldmine of information on the area and a regular blogger. She lives and works in collaboration with Bruno Piazza, her life partner, an Italian tribal art dealer and designer. They travel around Indonesia and mainland Southeast Asia together, “treasure hunting, feeding each other energy, inspiration, ideas and tastes”.

Roots Grew up in Seattle, lived in Scotland, London, New York and Hanoi.

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Creative Space Running multiple galleries with her business partners, Susi Johnston is in a space she terms “specialist sourcing”, selling genuine antiques and ancient artefacts, while also creating furniture, accessories, textiles and architectural elements in a collaborative effort.

Challenges “The education and training in Indonesia is far short of what it should be. It can be extremely difficult to put together skilled staff to fulfil the many roles that make up a modern business team.”

Susi Johnston’s companies make unique basketry objects that are more sculpture than mere baskets; work with local carvers and furniture makers who create works in stone, wood and mixed materials with traditional tools and methods. They are a part of the synergy between local and world culture.

the secret of the secret

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a while ago, everyone was talking about ‘the secret’ – the book that changed the lives of many people. apparently, if you desire something and you put it out there, the universe conspires to make it happen for you.

i was skeptical for quite a while. but my husband lived the secret. literally whatever he wanted, he could get, just by wishing it. so i knew it worked for him.

it was only recently that i realised – it does not respond to a hankering desire or need, or a sense of quiet desperation…. it responds merely to a quiet desire/ uttering – a statement you may have made in passing, which will suddenly come true or work for you. you say it/ wish it – unconsciously and then forget it. it isnt linked to thinking deeply about it with your heart and soul, just realising a desire. and it comes to you. it may take time, or happen immediately, but it works.

and that, according to me, is the secret of the secret. you only realise it when it happens to you.

when ad world meets real life

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for the first time, i found an ad i actually identify with. the vodafone zoozoos actually send simple messages with these really cute characters. i read a mint article which sez that they are actually humans in costumes – where they could barely breathe. Apparently shot in S.Africa.

this is def work of genuis:

reminds me of this american cartoon i used to watch called shmoo:

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TV words of wisdom

From Prison Break; spoken by T-bag: “We are captives of our own identities, living in prisons of our own creation.”

From a TV ad for a channel: “It’s not where you start, it’s where you finish. It’s not where you are from, it’s where you are at. It’s not where you are, it’s where you are going. It’s not about the things you have done, it’s what you are doing now.”

when a system doesn’t exist

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Everyone’s been encouraged to vote. keeping aside the fact that we don’t even have the right candidates to vote for, we don’t even have the right system in place to actually vote. mismanaged centers, long lines, incorrect and not updated electoral rolls, inefficient staff and voting machines that don’t work… the list is endless. Today, there were regular voters 60+ years of age, whose names were mixed up on the electoral rolls. The wrong picture was against the wrong name, with a third voting number. many regular voters had suddenly been bumped off the electoral roll. there was no methodical system in place. the people checking looked lost and didnt know how to handle the problems. the machines appeared like they were registering the vote, but one could never be sure.

And yet, I feel amazed and happy to see the elderly – people over 80+ years of age find their way to the polling stations to vote. The young, the old, the sick the healthy, the rich the poor, were all there. can’t something change to live up to their expectations?

60+ years of democracy, of voting, of advancement, of IT professionals, of outsourcing and this is what we have? Zero systems. I read an India Today survey that listed the fortunes of most politicians to be in the hundreds of crores. I don’t mean to sound skeptical, but really, they never possessed that kind of money when they started out. When will it stop? Should we outsource our ‘democracy’ to a dictatorship so that our peace of mind is once again held hostage? How does one change a system so rotten to the core that it infects anyone who comes near it? Politics is a disease in this country and we are all plagued by our own choices.

bali and bollywood

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on a recent visit to bali, i met with the ‘sleeping tiger of bali’ — Susi Johnston, among a host of other people who are doing super interesting things on the island. Susi is the power blogger of Bali and is a gold mine of information on the island. She played an important role in my story on bali’s haute brigade.

Here is what Susi had to say about the story: Bali goes to Bollywood (via Verve Magazine).

power docs and waiting lists

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i really dont get it, why doctors make you wait endless amounts of time, simply to make or break your day. its like a sense of power that they wield – ‘i have the ability to heal, so i also have the power to make u wait endlessly!’ i get the part where they have to rush around making better and healing the lot, but the fact that appointments are given to multiple people for one time slot, and then everyone waits in nervous anticipation that turns to vigourous impatience and finally severe exhaustion leads to more illnesses at a clinic/ hospital than getting better! You see sick people waiting around and you feel sick even if you are not – drained and numb. Dr’s visits should be like a shot – get in and get out; and cheery places. Definitely painted daffodil yellow and lime green, with a dash of aqua. Seeing it should make you feel better and like going on a vacation. As far away from the dr as possible!