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sitanshi talati-parikh

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Tag Archives: Ungendered

Why Are School Uniforms Still Gendered?

15 Tuesday May 2018

Posted by sitanshi talati-parikh in Features & Trends, Parenting, Publication: The Swaddle

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Gender Inequality India, Parenting, School Uniforms, Social Chronicle, Ungendered

Published on The Swaddle: May 14, 2018

Screen Shot 2018-05-15 at 11.27.37 AM

Recently, the Children’s Academy — which runs three private schools in Mumbai — determined through a student poll that its new uniforms will be gender neutral. While an overwhelming majority of students chose T-shirts, 58% of the 1100 girls who participated opted for trousers over skirts, citing comfort as a big factor. The new uniforms will be implemented at Children’s Academy schools in the upcoming academic year.

This decision towards gender neutrality comes as one of many, as schools across the globe adapt to increasingly inclusive attitudes. Last September, The Daily Mail reported that 150 schools in the UK would be introducing gender-neutral uniforms, where children of any gender were allowed to wear either a skirt or trousers. Last month, Fiordland College in Te Anau, New Zealand agreed to gender-neutral uniforms, where the girls will be allowed to wear pants and the boys will be allowed to wear dresses, as per their choice.

Such changes are the result of a growing resistance to gender stereotypes from both students and parents. At a basic level, schools are paying attention to the need to provide young children with the comfort of moving around safely, and without restriction. Although widespread gender neutral uniforms are a step in the right direction, ultimately, India needs to move towards the global trend of letting students choose whether they want to wear skirts, dresses, or trousers.

“As a girl in Indian society, I have grown up in an environment that has often restricted my clothing choices in terms of ‘what to wear’ or ‘when to wear,’” says 17-year-old Tamanna Sheth, who attends BD Somani International School (BDSIS). “I strongly believe in gender-neutral uniforms as I support the idea of comfort over appearance. Besides, they may also make one feel more confident.”

While urban Indian parents may be less resistant to change these days, radically different points of view exist among them. For many parents, gender-neutral uniforms are not on their radar. If they are, they may weigh in but not be a deal breaker when parents are picking a school.

Esha Pandya Choksi, mother of a two-year-old girl, strongly believes that differentiating between clothing from an early age adds to the pool of social factors that foster gender inequality. “At an age when children form ideas, clothing sets the stage about what girls and boys can or cannot do,” she says. “While clothing is not a direct counter to society’s stereotypes, it is a small step towards making a statement.”

Akanksha Shah, mother of two girls, aged seven and four, the older of whom attends Mumbai’s Cathedral and John Connon School, prefers dress to be an obvious differentiator. “They (skirts) are feminine and graceful; they complement the body structure of girls better,” she says.

Mumbai-based fashion designer and mother of a girl and a boy aged five and seven respectively, Anjali Patel-Mehta, is strongly in favour of gender-neutral uniforms. She suggests that a traditional Indian form of dress may actually make for a progressive uniform. “The kurta is universal, entirely gender neutral and authentic to India, while tunic and pants still lean towards a gender,” she says. However, she’s cautious of the implementation challenges — for example, resistance from the girls themselves, like those who struggle with body issues. She believes letting kids choose what to wear for themselves might be the best solution. “Going androgynous or unisex isn’t ideal: eventually, it should be a social choice, rather than attempting to force fit someone into a gender-neutral role,” says Patel-Mehta.

While giving children a choice in what to wear might have its own challenges — a child making a non-traditional choice may face peer pressure and ridicule — it will create a foundation for long-term societal acceptance.

The Mumbai-based Waldorf schools like Tridha, Inodai and The Golden Spiral, with the Rudolf Steiner education system, offer simple colourful cotton kurta tops paired with bottoms of their choice. “Our uniforms are practical and frugal — designed more to be comfortable in our climatic conditions and allowing freedom of movement during play,” says Tasneem Quettawala, co-founder and pre-primary coordinator of The Golden Spiral School.

South Mumbai-based IB schools like Bombay International School (BIS) and BDSIS have gender-neutral uniforms, save for their formal uniforms — worn once a week at BIS and worn optionally at BDSIS. These are in the form of a “skort” for girls, which is a pair of shorts with a front flap, giving the impression of a skirt. Anjali Karpe, deputy head of BIS, says the gender-neutral sports (PE) uniform, which comprises shorts and a tee for all children, is worn on most days and has been around for 25 years, even when it wasn’t the norm for all schools. “It is high time we went for gender-neutral uniforms — there is a distinct change in the perception of what is considered ‘feminine,’” Karpe says. “It is an archaic notion of dressing girls in skirts.”

And yet, while BIS derives comfort from the neutrality of their most commonly worn PE uniforms, Karpe reflects on the challenges of making a school-wide change, as the uniform is an important part of a school’s branding. “It needs to be an informed choice at a student-body level,” says Karpe. “Personal opinion cannot drive school leadership, and it would involve multiple stakeholders.”

The Children’s Academy method of polling its students is a good example of how to drive such change in a fair and egalitarian manner. Their schools will make the new uniforms optional within the first year of the change, taking into consideration parents who have already invested in the old uniforms; the new uniforms will become mandatory from the subsequent academic year.

At schools with less progressive ethoses, the student body may not lean towards gender-neutral uniforms with the same kind of majority. Government schools in India, however, have shown that they’re not resistant to change if it benefits their students. Last year, the Uttar Pradesh government announced that it would be changing the color of its public school uniforms from khaki to bright red and brown, in an effort to ensure that students wouldn’t feel like they were in any way inferior to their counterparts in private institutions. It’s not inconceivable that, down the line, they, too, will feel the need to adopt gender-neutral uniforms, if more private schools begin to do so, and seeing that the gender-neutral kurta already exists as a part of the social fabric.

Schools have been clinging to their uniforms for decades at a stretch, in the name of tradition and school identity. Uniforms have often been designed before the current management can recall, and have not come under review or updated since. They’re unlikely to be high on the list of priorities for most schools. But some schools have begun to lay the groundwork by listening closely to their students. It will be a slow process — stumbling blocks include tradition, deep conditioning, and stigma — but as institutions begin to pay more attention to what is best for their students, positive change will follow.

Skirting The Issue: Is the future of fashion ungendered?

17 Wednesday May 2017

Posted by sitanshi talati-parikh in Brand Watch, Fashion & Style, Features & Trends, Publication: Mint Lounge

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Anaam, Androgyny, Antar Agni, Burberry, Chanel, Design, Designers, Fashion, Genderless, Genderless Kei, Gucci, Kallol Datta, Korean Beauty, Louis Vuitton, Maithili Ahluwalia, Mint Lounge, Payal Khandwala, Rajesh Pratap Singh, Ungendered, Writing, Yves Saint Laurent

Published in Mint Lounge, Saturday May 13, 2017 (Future of Design special edition).
(Additional images added below for this blog post)

We have had women in tuxedos and men in skirts. But the new ‘genderless’ direction in the global fashion world might further dissolve the idea of binary identities

designskirt-k2mC--621x414@LiveMintAn image from ‘Vogue India’s’ May issue, guest-edited by Mario Testino. The editorial, titled ‘Role Play’, attempts to ‘challenge gender with fashion’. Photo: Courtesy Mario Testino for Vogue India/May 2017

Earlier this week, Emma Watson received the first gender-neutral award for Best Actor (Beauty And The Beast) at the MTV Movie & TV Awards. “It says something about how we perceive the human experience,” she said. The award was presented by Asia Kate Dillon, who plays TV’s first gender non-binary character (Taylor, on Billions).

Like other recent events, this added to the ongoing conversation on gender-fluidity.

For a culture like ours, with its thrust on uber masculinity and coy femininity, reconciling to this phenomenon may be shocking, but not impossible. While one knows androgyny to be the combination of masculine and feminine characteristics, ambiguity in gender could be a lifestyle, sexual or style choice.

Louis Vuitton_Jaden Smith - high res

Celebrities such as Miley Cyrus have identified themselves as pansexual, but perhaps it is young actor-rapper Jaden Smith’s bold outlook that has fired up the imagination. Will Smith’s son is seen wearing a skirt as part of Louis Vuitton’s Series 4 (Spring/Summer 2016) campaign about a heroine and the multiple facets to her personality. The brand’s creative director, Nicolas Ghesquière, believes Smith “represents a generation that has assimilated the codes of true freedom, one that is free of manifestos and questions about gender. Wearing a skirt comes as naturally to him as it would to a woman who, long ago, granted herself permission to wear a man’s trench or a tuxedo”.

Androgynous roots

le-smoking-3Le Smoking, Yves Saint Laurent by Helmut Newton

Worldwide, sartorial acceptance tipped when the founders of two path-breaking French haute couture houses, Coco Chanel and Yves Saint Laurent, gave women trousers and tuxedos in the early and mid- 20th century, respectively. Many male music legends have flirted with everything from make-up and heels to ruffles and florals, but it was David Bowie (in his sexually ambiguous Ziggy Stardust persona) and Prince (in his flamboyant Purple Rain-era) who cut the sartorial cord with their seminal style statements. More recently, American hip hop artiste Young Thug wore a dress for his album cover, while British footballer David Beckham has been spotted in nail paint and a sarong.

Historically, pre-colonial India saw no issue in dressing up its men, particularly royalty; the traditional male outfits of Gujarat and Rajasthan are adorned with colours, mirrors and gathers, while drapes like shawls, anarkalis, lungis, kurtas, salwars and churidars have been a long-standing part of India’s unisex fashion grammar. Even as the idea trickles down—Tridha, a school in Mumbai, has genderless uniforms (a short kurta students can wear with lowers of their choice)—in a country that lends exaggerated importance to binary sexuality, fashion is setting a new pace for a forward-thinking society.

Beyond binaries

Rajesh Pratap Singh - low res option 2A model wearing Rajesh Pratap Singh.

Designer Rajesh Pratap Singh, who has an affinity towards androgyny, finds the audience for unisex clothing limited. “As women found independence and emancipation once again in India, wearing men’s clothing is considered stylish in most urban areas, but it doesn’t hold true for most parts of the country,” he points out.

What is true though is that modern silhouettes for the local landscape increasingly tend to be sleeker, deconstructed or fluid, shaped according to will, body type and occasion. From anarkalis to dhoti pants, from cholis to shirt-blouses, we have made a shift in styles, and increased the functional element of formal wear. But are women able to take the leap to wearing perhaps a tuxedo to an Indian wedding? Mumbai-based designer Payal Khandwala, whose lines for women are largely anti-fit, says: “It (gender-fluid dressing) will be a parallel movement. The bright side is that it makes us question the male gaze we have taken for granted and re-examine our preoccupation with ‘pretty’ and ‘hyper-sexualized’ clothing for women.”

Unisex clothing creates ambiguity towards age, shape and size, naturally defying the restrictions imposed, stereotypes perpetuated and social comment invited by accentuating and fitted garments. While many designers locally have nailed the anti-fit trend, there have been attempts, such as the “Ungendered” clothing line released online last year by Zara, that faced flak for its unimaginative designs. Unisex outfits shouldn’t be drab, shapeless or colourless—rather, they should be a celebration of clothing that is chic while being free of conservative parameters.

38_RoryA model wearing Gucci.

Women in menswear may be de rigueur, but men in women’s clothing is certainly up for exploration. A key designer of genderless fashion, J.W. Anderson’s Fall 2013 collection sent a male model on the runway in ruffled shorts and knee-high boots, showing off muscular, hairy legs. Singer Pharrell Williams, who likes Chanel necklaces, has starred in the couture house’s Gabrielle bag campaign this year. International luxury brands like Gucci (whose fluid vision under creative director Alessandro Michele has been touted as inspired and sound) have “genderless” models—those without an associated gender—on the runway, also unifying men’s and women’s fashion weeks. Michele stated last year, “It’s the way I see the world today.”

It was a “fluid-packed” fall 2016, with Burberry harking back to Bowie-esque ruffled shirts for men and military-style jackets (also seen in Givenchy’s campaign) for women, along with gender-neutral trench coats.

Screen Shot 2017-05-18 at 2.34.33 PMA model wearing J.W. Anderson.

Bungalow 8 founder Maithili Ahluwalia is unimpressed by men in skirts. “It is not a natural evolution, it is fashion. A man’s body is structured differently and it is a bit limiting to think that what works for one may work for the other. It should be a mindset over a sartorial choice, not a surface-level relationship with fashion. Would a man wear gender-fluid clothing to work, particularly if he works in a bank?” she asks. Possibly, if he is anything like actor Ranveer Singh, who has turned red-carpet dressing on its head with his penchant for aggressive experimentation—of course, creative professions do allow for more sartorial freedom.

Delhi designer Ujjawal Dubey, founder of label Antar-Agni, whose styles are “androgynous and flattering to both the sexes, avoiding stark lines and labels between genders”, believes India is primed for change. So does Sumiran Kabir Sharma, whose new label Anaam is said to “dissolve all stereotypes”. Sharma works as “a silhouette generation artist, not focusing on the physical and the biological part of the human body that defines gender”. According to him, going genderless is not a passing phase—“it is definitely the future of fashion”.

SKIRT4-kG9C--621x414@LiveMint

A model in an Anaam piece.

Kolkata-based designer Kallol Datta, who started out making (and wearing) gender-neutral clothing, is now moving towards “sexless clothing, where there is no acknowledgement of gender”. “I’ve favoured all-enveloping shapes and certain proportions when layering pieces of clothing…there is a blurring of lines with these shapes.”

Going genderless

If the male gaze changes, so may the female gaze. In Tokyo, following the explosive trend of “genderless kei” (kei means style), “genderless boys” have appeared on the scene since 2015. The popular Japanese idols tend to be slim-bodied, with dyed hair, make-up and nail polish, coloured contact lenses, and attention-grabbing outfits. They are not necessarily gay or trying to be like women, they are rejecting gender norms and establishing a new yardstick of style. It’s likely inspired by the Korean term ulzzang (“best face”), a common beauty standard for both men and women derived from the “flawless” K-Pop idols.

In America, Marilyn Manson’s genderless Mechanical Animals cover set the tone years ago but today, gender-neutral models like Rain Dove have gained supermodel status. Dove’s Instagram page says: “I’m not a Boy. I’m not a Girl either. I am I.” And further, “Sometimes I like lace panties. Sometimes I like briefs. It’s my body…. And I’ll cover it however I damn please.”

Today, numerous designers worldwide offer unisex lines of clothing, and stores like Selfridges in London stock an “Agender Fashion Without Definition” collection across three storeys, suggesting that the trend is more than that—it’s a new way of life.

Fashion should cater seamlessly to one’s individuality, without leaning towards homogeneity. Khandwala agrees: “At its core, what one wears must be a democratic decision that comes from a place of honesty and self-evaluation. The impetus cannot be external and certainly not because it is a fashion movement.”

Is the potential dissolution of gender a fantasy of the future or a reality of today? As predefined roles get blurry, so does the way we dress. And we should find our voice in that freedom. Worldwide, as socio-politico-religious mindsets get narrower, perhaps it is fashion’s lot to expressively push back as the non-conformist and heterogenous “genderless uniform” of a truly inclusive and free-spirited society where it is, literally, best face forward.

****

How we got here

A brief sartorial history of the blurring of gender lines

1938 Photo Schall at La PausaCoco Chanel

1910s: Gabrielle “Coco” Chanel changed women’s relationships with their bodies and ways of life by introducing them to trousers and jersey sportswear.

skirt2-kG9C--414x621@LiveMint

Katharine Hepburn

1930s: Katharine Hepburn’s path-breaking attachment to men’s shirts bought secretly from the back of New York’s Brooks Brothers store and Marlene Dietrich’s seminal moment kissing a woman on screen while wearing a bow tie and top hat.

1960s: Yves Saint Laurent’s (muse Violeta Sanchez) “Le Smoking” tuxedo suit for women pioneered the modern-day power suit; Mick Jagger performed in Hyde Park in a white “man’s dress” designed by Mr Fish.

YVES-k2mC--414x621@LiveMint

David Bowie

1970s: Patti Smith’s obvious androgyny, Jane Fonda’s bold red-carpet moments and David Bowie’s sexually ambiguous Ziggy Stardust persona triggered cultural shifts.

Grace-k2mC--621x414@LiveMint

Grace Jones

1980s: Feminine Prince and masculine Grace Jones set the tone for blurry gender lines. Japanese designers Yohji Yamamoto and Rei Kawakubo’s ambiguous collections set the tone for the future.

marilyn-k2mC--414x621@LiveMint

Marilyn Manson ‘Mechanical Animals’ cover

2000s: Marilyn Manson appeared genderless on the ‘Mechanical Animals’ cover.

|  Filling the gaps between words.  |

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