Hermes: Open House

Tags

, ,

Vervemagazine.in October 2014

‘Cat: Where are you going?
Alice: Which way should I go?
Cat: That depends on where you are going.
Alice: I don’t know.
Cat: Then it doesn’t matter which way you go.’
― Lewis Carroll, Alice in Wonderland

Wouldn’t it be wonderful, if we could shop aimlessly and with gay abandon, stumbling upon the things that most impressed us and made us merry? How lovely it would be if fashion, art, architecture and technology came together in a happy mix, giving us a sublime, subterranean world of exploration.

Illustrator Pierre Marie, who has also previously designed scarves for Hermès, worked with Bali Barret to design an interactive online shopping space in a rich illustrative style. As they describe it, it is Hermès’ first ‘dedicated virtual home for its ebullient women’s silk collections.’ The clever bit lies in the fact that the virtual home is in a constant state of change (taking into account the time of day and weather!), which the visitor discovers while wandering freely around, exploring the myriad rooms: a treasure chamber, a saloon, a cinema, a colour mixing kitchen…and even a boys’ bedroom. And in there lies a treasure trove of over six hundred models of silk squares, shawls, twillys, scarves and stoles.

Wherever you are in the world, at any point of time, using your computer, tablet or smartphone, you can explore this world and find the perfect scarf, based on colour, design, or material (silk/cashmere). Discover ideas for knotting a scarf, while you are at it! It launches on lamaisondescarres.com.

Chanel No. 5: The One That I Want

Tags

, ,

Vervemagazine.in October 2014

Chanel No. 5’s new campaign directed by Baz Luhrmann features Gisele Bündchen and has a haunting soundtrack. Here’s a look at the much-awaited release with behind-the-scenes footage and event photos (Go to vervemagazine.in for the behind the scenes videos and additional stills and footage and interviews here.)

Chanel-3

The music is so haunting that I wake up the next morning with the melody of You’re the one that I want by Lo-Fang in my head. A very familiar song is taken and then expectations are disrupted by giving it a completely different feel…that is what art is about, after all. But it doesn’t happen all at once. It creeps over you as you watch it, as you listen to more. And that is the embodiment of the spirit of a woman. She isn’t everything you see all at once, or what you thought you knew about her. She’s all that and more. The woman we all identify with is the person who is equally at ease at home with her kids, chasing after her love and at work, all in all, being a woman of substance.

Chanel’s No. 5 has had a reliably larger-than-life treatment under Baz Luhrmann’s expansive direction; not to miss the fine detailing with hints to the number that has become iconic under the brand as seen in the delicate jewellery, the surf gear, and the mise en scene.

At the Chanel office, over cookies and tea, we watched the story unfold through all the behind-the-scenes videos. Baz brought the making-of alive with his clear grasp on the vision and story. He had previously directed Nicole Kidman as the face of the feminine scent, and now he has evocatively shot Gisele Bündchen in their latest ad film.

In 1920, when Coco Chanel was given numbered glass vials containing sample scent compositions, she picked a number that has always meant a lot to her – number five. The number, with it’s non-fussy classic bottle, has become iconic over the decades made particularly so when Marilyn Monroe was asked in an interview what she wore to bed, she responded with, ‘five drops of Chanel No. 5.’

All About Town

Tags

,

Vervemagazine.in October 2014

Urban narratives always make for a talking point in art. Field of Vision brings together six artists who expand this dialogue

Shilpa-Gavane1-Clear-4x6

Reports show that jungle animals are beginning to adapt to city life to survive; it is estimated that by 2050, 65% to 80% of humanity will live in urban centres. Field of Vision, curated by Jasmine Shah Varma, brings together six artists whose works feature powerful urban narratives: Anjana Mehra, Gautam Bhatia, Indrapramit Roy, Jaideep Mehrotra, Meera Devidayal and Shilpa Gavane. Their art explores the city in it’s myriad dimensions, its past and present and its metaphorical implications through recognised emblems in various media such as painting, sculpture, mixed media works and photographs.

Catch Field of Vision at Gallery Art and Soul, Worli, Mumbai from October 14 to November 15, 2014.

Shifting Sands of Time

Tags

,

Vervemagazine.in October 2014

International migration, home and displacement of time are explored in this solo show by artist Tahireh Lal in Bangalore

GALLERYSKE_TahirehLal_TheHourglass_1-300x450_c

Tahireh Lal’s material experiments with sand began while walking on the beaches of Toronto Island. Metaphysical Gravity exhibits the artist’s installation, video and kinetic sculpture. Lal explores the idea of international migration – home in the context of contemporary mobility.

The Hourglass (shown above) reflects on the nature of time. Within a rotating hourglass, sand flows from one chamber to the other. However, magnetic forces hold part of the sand in permanent suspension; thereby remarking on the conflict between clock time and lived time in one’s experience of new and unfamiliar environments.

Lal’s artwork has featured at film festivals and in galleries in India and at international events. She currently runs her art practice out of Koliabur, Assam and Bangalore.

Metaphysical Gravity previews this evening (7pm) and is on show until November 21, 2014 at Gallery SKE (2 Berlie Street, Langford Town, Bangalore).

Tall Tales

Tags

,

Vervemagazine.in October 2014

Satirical collages and metaphors make for descriptive storytelling in Abul Hisham’s new works showing in Mumbai

Abul-Hisham-Royal-Portrait-2013-Acrylic-pastel-charcoal-on-paper-152.4-x-122.4-cm-60-x-48-in-

Kerala-born and Hyderabad-based artist Abul Hisham’s works have an absurdist quality in their satirical collages that make for a powerful visual spectacle. Drawing inspiration from mythology, art history, cinema, popular culture and religion, you find his works talking to you or unfolding a story in the manner of an elevated picture book, with layers of metaphorical meaning.

5 Qs with the artist, Abul Hisham:

1. Artistic motivations “It’s the passion of doing things. I am interested in transferring idea onto medium and transforming it. ‘Constructing’ different things – media, characters, even text, helps me get closer to the idea.”

2. Inspirations “Art history, the cinema, religious mythology and cartoons inspire my work. Artists who inspire me greatly are Goya and Manet.”

3. Artists at home “There are too many!”

4. Concerns that show up in your work “Religious conflicts and caste systems. The two things matter the most today.”

5. If you weren’t an artist…. “A lot of my family members were going to the Middle East and some took up civil engineering. So there was talk of that when I completed 12th grade. But I chose art school instead!”

Abul Hisham’s new works previewed on Art Night Thursday October 9, 2014 and continue until November 22, 2014 at Galerie Mirchandani + Steinruecke (2 Sunny House, 16/18 Mereweather Road, Behind Taj Mahal Hotel, Colaba, Mumbai).

Wisps of Imagination

Tags

,

Vervemagazine.in October 2014

10 works addressing the relationship between nature and imagination. N. Pasharamulu’s debut solo opens today in Mumbai

Itself-IX-560x400_c

The Karimnagar-born and Hyderabad-based N. Parsharamulu finds his debut solo in Mumbai where human forms (with heads shrouded in darkness) appear as figures in motion that are stunted or interrupted. He’s exploring the world of reality through imagination, through the visible and invisible; and as is with all art, through the dynamics of human perception.

It is nearly like an X-ray into the world of the unknown, made more so by his chosen monochrome palette, as if creating his own Rorschach ink blot test into the psyche.

5 Questions with the Artist, N. Parsharamulu: 

1. Artistic motivations “Life as I see it unfolding within and around me.”

2. Inspiration “Eastern philosophy and art itself.”

3. Choose to have at home “Francis Bacon and Edward Munch.”

4. Artistic concerns “I address the relationship between nature and imagination in my works.”

5. If you weren’t an artist, you would be… “I cannot imagine being anything other than an artist.”

Itself previews on October 9 evening and continues until November 8, 2014 at Gallery Maskara (6/7, 3rd Pasta Lane, Colaba, Mumbai; 11am-7pm Tuesday through Saturday only).

A Woman In Deep Water

Tags

,

Vervemagazine.in October 2014

Antonio di Canito spends a month in India and captures women immersed in water through his frames

Verve Magazine Art Ganga Antonio Di Canito Sakshi

Italian photographer, Antonio di Canito, recipient of the Arte Laguna Prize: Technymon ARTresidency, created these images during his month-long residency in India, where he explored Varanasi, Delhi and Puducherry (Pondicherry). Taking off from the reverence that Indians have towards their holy waters, he has shot portraits of ordinary women immersed in the water, combining the motifs ofmata and water. Says the artist: ‘Sometimes I like to include symbols in my work as seen in Renaissance paintings. The juxtaposition of woman and water, for me, represents birth, strength, power and love.’

Ganga previews this evening and is on until October 14, 2014 at Sakshi Art Gallery (Synergy Art Foundation Ltd., 6/19, Grants Building, 2nd Floor, Arthur Bunder Road, Colaba, Mumbai).

Silent Night

Tags

, ,

Vervemagazine.in | October 2014

In the reverberating party buzz of Prague is a property that combines history and serenity with charm

prague-hotel-exterior-01-560x375_c

Indian movies like the just-released Hrithik Roshan and Katrina Kaif action masala, Bang Bang and Ranbir Kapoor’s Rockstar, and popular Hollywood films like Mission Impossible, Casino Royale and Les Miserables have found a way to highlight Prague’s beauty. The city has charm, substance and mystery. But it was for a very different reason that when a recent review asked me about my most memorable hotel stay in the last few months, I instinctively responded with the Mandarin Oriental, Prague. A location that brings the warmth of Asian hospitality along with meticulous attention to detail to the historical capital of Bohemia.

An Angelic Property
The hotel itself is classic and charming – housed in a former Dominican monastery with roots dating back to the 14th century. Part-Renaissance, part-Baroque and part-modern the hotel’s buildings represent over six centuries of architecture – while incorporating a large part of the outer wall of St Mary Magdalene, one of the oldest churches in Prague built on the site around 1330. While the hotel opened its doors in 2006 the property itself stands testimony to history and changes over the years.

You can’t miss the carefully framed and preserved moments of the past on the walls, including paintings of the monks playing peek-a-boo from behind the ornate curtains and excavated historic items visible on the private museum walk on the way to the spa. The latter is housed in a former Renaissance chapel, with a glass floor displaying the remnants of an old Gothic church. You can also optionally access it via an underground passageway (for privacy), and the treatment rooms are the former cells of the nuns!

The restaurant is made up of a line of five different houses, which can be noticed by unique ceilings as one moves from one room to another. Toward the back lies a mysterious flight of stairs leading to a vaulted wine cellar that can picks up on the dark romanticism of the city for a private dinner. The grand ballroom is made from a refectory, which is just another place for a wedding in their books!

As you explore the various bits of the hotel, you find yourself in the monastery lounge with an old cloister corridor and soaring ceilings and tall Baroque columns. Perfect for moments of quiet introspection is also the simple monastery garden within the property, which is singularly unique for Prague.

The Devil Is In The Details
Their on-site restaurant Essensia offers Asian flavours combined with modern Czech cuisine and does a fantastic Nasi Goreng. Also amazed to spy a version of our dosaon the menu (one of their chefs is Sri Lankan and can cook a mean curry or a South Indian biryani at a pinch). The staff is warm, attentive and helpful, finding creative ways to entertain children as well. The rooms have a kid-sized bathrobe and slippers for the young guests, with a singing Czech stuffed toy to ensure they never feel left out. As the festive Christmas season draws closer, they have a festive menu and Bohemian holiday packages lined up even as you experience the Christmas markets, live concerts and the buzz of the city under a blanket of snow.

The Sound of Silence
The hotel is close to the river with a lovely park and a one of Prague’s noted art museums on one side; a short picturesque walk to the Charles Bridge on another, with the Prague Castle in it’s vicinity…making for a lovely setting. In fact, that is what the entire property is about – quiet peacefulness which is a marked contrast to the vibrant bustle of the city and its nightlife. Away from the busy main street but right in the picturesque Little Quarter in the heart of the city’s historic center, the spacious vaulted rooms and hallways echo the sound of peace handed down over the years. With tasteful décor, never over the top, always muted, the hotel has managed to maintain the spirit of the property and it’s history in a remarkable way.

When The Bells Toll
There’s a lively list of things lined up for the last quarter of this year.

1. Design Block: Prague’s design and fashion week. (October 7 -12)
2. Strings of Autumn: A traditional finds experimental music festival mid October and early November.
3. Ruldof Firkusny Piano Festival (November)
4. Christmas markets that are spread out over the city, the most popular being the one in the Old Town Square (November and December)
5. Advent and Festive Live Concerts: Different parts of Prague, many within walking distance from the hotel, including those at the Czech Museum of Music, and Saint Nicolas Church.

Creative Philanthropist

Tags

, , ,

Published: Verve Magazine, September 2014
Photograph by Toranj Kavyon

Artist, Rouble Nagi, has done more than 800 murals and installations worldwide. She’s a style maven, a mother and runs her own welfare foundation for underprivileged children

Rouble Nagi

“I get inspired by life – it is a learning process and our experiences are a part of it.”

Though Mumbai-based Rouble Nagi studied Fine Art in London’s Slade School of Art, she had actually been painting since she was a little schoolgirl. She can still spend the entire day with a blank sheet and crayons, even though she experiments with materials for her murals and sculptures. Her father was from the armed forces, so travelling and finding inspiration wherever she went was a natural process. “You learn something every day if you just pay attention, the journey through life is just a long learning experience, without a destination. I’m loving it – creating a new milestone every day.”

She has always been inclined towards working in a three-dimensional medium. Murals are her first choice along with installations when it comes to a form of art. “I hope people develop an interest in and liking for public art. The installations are always site specific, as many things including the surroundings have to be taken into consideration.” She always has a strong emotional connect to her work. “Art without emotion isn’t art at all.” The 34-year-old has a mixed roster of patrons for her work, including artistes and Indian cinema personalities – all art lovers with whom she has a personal equation.

Rouble divides her time between her workshop, her family and her NGO. “As an artist I believe I must give back to the people.” She started working along with the NGO Pratham before she started the Rouble Nagi Art Foundation (RNAF) two years ago. “India’s youth is a powerhouse of infinite energy and all we need is to direct their energy in constructive channels that lead to development and progress. RNAF is dedicated to the care, welfare education and rehabilitation of underprivileged children. Equality and not charity is what we believe in.” Despite being passionate about her work and the NGO, she manages to be there for her family, which includes her two-and-a-half-year-old son, Vivaan.

“As the saying goes, ‘Fashion fades but style is eternal’. My confidence is my style quotient; it’s never about how well you dress or the brand you are wearing, it’s about how you carry it. Your style is about who you are.” Always immaculately turned-out, her favourite piece of jewellery remains her wedding ring, to which she has a strong emotional connect.

Rouble Nagi has a powerful mantra for living life meaningfully: “Success isn’t about what you accomplish in your life, it’s about inspiring people to do what they think cannot be done. Success can never assure you happiness, but by being happy with what you are doing, you have already succeeded.”

Turn Back The Time

Tags

, ,

Published: Vervemagazine.in, September 2014

My concerns in the 60s remain intact till today.’ Kiran Nadar Museum of Art, Delhi hosts a retrospective of Nalini Malani’s works

Nalini Malani Artist Retrospective Kiran Nadar Museum

This retrospective brings back Karachi (Undivided India)-born Nalini Malani’s major installations and international projects that have never been shown in India before along with works from the artist’s archives spanning a period of fifty years. The multi-panel painting installation Twice upon a Time (2014), takes up an entire room, while the video/shadow play Transgressions III (2001/2014) combines video projections with rotating reverse-painting, which have in last 15 years become an acknowledged part of Nalini Malani’s oeuvre. Both of these premiere exclusively at the Kiran Nadar Museum of Art (KNMA) in the final act of a three-chapter retrospective, You Can’t Keep Acid in a Paper Bag.

For more than four decades, Nalini Malani has addressed social, political and societal issues surrounding the Indian subcontinent, including the conflict between India and Pakistan, the abuse and rape of women, and the struggle for democracy. Starting out as a painter, Malani – who was recently awarded St. Moritz Art Masters Lifetime Achievement Award created by Cartier (2014) – was one of the early Indian artists to dabble in installations, theatre, erasure performances and video/shadow plays, leading to a spot in premium collections such as MoMA (New York) and the Centre Pompidou (Paris).

You can catch the exhibition at KNMA,  145, DLF South Court Mall, Saket, New Delhi; from September 26 until November 30, 2014.